If walls could talk, the stones of The ’76 House in Tappan, New York, would whisper secrets of revolution, espionage, and the very birth of American independence. Often cited as the oldest restaurant in America, this National Historic Landmark isn't just a place to grab a meal—it’s a living time capsule.
A Revolutionary Landmark
Built in 1686, the structure originally served as a meeting place for local townspeople. However, it earned its place in the history books during the Revolutionary War. Because of its sturdy construction and central location, it became a frequent hangout for Continental Army officers.
The tavern’s most famous "guest" wasn't there by choice. In 1780, Major John André, the British spy who conspired with Benedict Arnold to surrender West Point, was imprisoned within these very walls. While he was treated with the "courtesy due to his rank" (even receiving meals from George Washington’s own table), he was ultimately marched from the tavern to his execution on a nearby hill.
Atmosphere & Architecture
Walking through the heavy wooden doors today feels like stepping back three centuries. The interior is a masterclass in colonial preservation:
Massive Stone Fireplaces: Providing the same warmth they did for weary soldiers in the 1700s.
Hand-Hewn Beams: Dark, sturdy wood that has survived centuries of change.
Historical Memorabilia: The walls are adorned with documents, maps, and artifacts that tell the story of Tappan and the Revolution.
The Modern Menu
While the setting is historic, the food is decidedly contemporary and elevated. The ’76 House specializes in "New American" cuisine with a nod to traditional comfort.
Signature Category - Highlight Dishes
Starters- Wild Mushroom Risotto, Yankee Navy Bean Soup
Wild Game Buffalo - Shepherd’s Pie, Pan-Seared Venison
Classic Comfort - Chicken Pot Pie, Slow-Roasted Prime Rib
Sunday Brunch - Live Jazz accompanied by Eggs Benedict and Belgian Waffles
Why You Should Visit
Whether you’re a history buff or a foodie, The ’76 House offers something rare: authenticity. It hasn't been "Disney-fied"; it remains a functioning tavern that honors its past while serving as a cornerstone of the Tappan community.
Pro Tip: If you visit, ask the staff about the "André Room." Sitting in the space where the most famous spy in American history spent his final nights adds a weight to the atmosphere that no modern building can replicate.
Location: 110 Main St, Tappan, NY 10983
Perfect For: Romantic dinners, history-themed day trips, or a sophisticated Sunday brunch.
Showing posts with label America250. Show all posts
Showing posts with label America250. Show all posts
Wednesday, May 20, 2026
Thursday, May 14, 2026
The Midsummer Classic Returns: MLB All-Star Week 2026 In Philadelphia
For the first time since 1996, the eyes of the baseball world will be fixed on the birthplace of America. As part of the massive Semiquincentennial (250th Anniversary) celebrations, Major League Baseball's All-Star Week is taking over the city in July 2026.
From high-stakes home runs to fan festivals that span the city, here is everything you need to know about the most anticipated baseball event of the decade.
The Main Events at Citizens Bank Park
The heart of the action will be at Citizens Bank Park, which will be celebrating its own milestone as it hosts its first-ever All-Star Game.
The 96th MLB All-Star Game: The centerpiece of the week, where the best of the American League and National League face off for bragging rights.
Home Run Derby: Expect the "Bank" to play small as the league's most powerful sluggers take aim at the Ashburn Alley seats.
All-Star Futures Game: See the stars of tomorrow before they hit the big leagues.
Beyond the Ballpark: All-Star Village
Philadelphia is transforming its historic and modern spaces into a baseball wonderland. All-Star Village (the modern evolution of FanFest) will likely be centered around the Pennsylvania Convention Center and the surrounding blocks, offering:
Interactive Exhibits: Test your pitching speed or try to rob a home run in virtual reality.
Legend Appearances: Meet Phillies icons from the 1980 and 2008 World Series teams for autographs and Q&A sessions.
The All-Star Red Carpet Show: Watch the players parade through the city’s streets in a high-fashion procession before the big game.
Why 2026 is Different
This isn't just another All-Star Game. Because it coincides with the U.S. 250th Anniversary, MLB is working closely with the city to weave baseball into the national celebration.
"Philadelphia is the perfect stage for the 2026 All-Star Game. The intersection of baseball's history and our nation's history will make this an unforgettable experience for fans," — MLB Commissioner's Office.
Visitors can expect unique mashups between the All-Star festivities and historic sites like Independence Hall and the Liberty Bell, which are just a short subway ride away on the Broad Street Line.
Survival Tips for Fans
Book Lodging Now: With the FIFA World Cup matches and the All-Star Game happening in the same summer, hotels are filling up fast. Check the Michelin Guide’s top Philly hotels for the best places to stay.
Use Public Transit: Traffic in South Philly will be intense. Stick to SEPTA—it's the fastest way to get to the Sports Complex.
Explore the Food: While the stadium has great eats, don't miss out on the local All-Star specials at Reading Terminal Market and Philly's world-class food scene.
From high-stakes home runs to fan festivals that span the city, here is everything you need to know about the most anticipated baseball event of the decade.
The Main Events at Citizens Bank Park
The heart of the action will be at Citizens Bank Park, which will be celebrating its own milestone as it hosts its first-ever All-Star Game.
The 96th MLB All-Star Game: The centerpiece of the week, where the best of the American League and National League face off for bragging rights.
Home Run Derby: Expect the "Bank" to play small as the league's most powerful sluggers take aim at the Ashburn Alley seats.
All-Star Futures Game: See the stars of tomorrow before they hit the big leagues.
Beyond the Ballpark: All-Star Village
Philadelphia is transforming its historic and modern spaces into a baseball wonderland. All-Star Village (the modern evolution of FanFest) will likely be centered around the Pennsylvania Convention Center and the surrounding blocks, offering:
Interactive Exhibits: Test your pitching speed or try to rob a home run in virtual reality.
Legend Appearances: Meet Phillies icons from the 1980 and 2008 World Series teams for autographs and Q&A sessions.
The All-Star Red Carpet Show: Watch the players parade through the city’s streets in a high-fashion procession before the big game.
Why 2026 is Different
This isn't just another All-Star Game. Because it coincides with the U.S. 250th Anniversary, MLB is working closely with the city to weave baseball into the national celebration.
"Philadelphia is the perfect stage for the 2026 All-Star Game. The intersection of baseball's history and our nation's history will make this an unforgettable experience for fans," — MLB Commissioner's Office.
Visitors can expect unique mashups between the All-Star festivities and historic sites like Independence Hall and the Liberty Bell, which are just a short subway ride away on the Broad Street Line.
Survival Tips for Fans
Book Lodging Now: With the FIFA World Cup matches and the All-Star Game happening in the same summer, hotels are filling up fast. Check the Michelin Guide’s top Philly hotels for the best places to stay.
Use Public Transit: Traffic in South Philly will be intense. Stick to SEPTA—it's the fastest way to get to the Sports Complex.
Explore the Food: While the stadium has great eats, don't miss out on the local All-Star specials at Reading Terminal Market and Philly's world-class food scene.
Saturday, May 9, 2026
Philadelphia’s Weitzman Museum Tells The Forgotten Story Of Caribbean Jews Who Supplied The American Revolution
“The First Salute” pulls artifacts from Sint Eustatius to tell the “hidden” story of the colonies’ crucial island allies.
The governor of Sint Eustatius, a tiny Caribbean island about 100 miles east of Puerto Rico, came to Philadelphia to inaugurate a semiquincentennial exhibition that shows how the island played a critical role in the American Revolution.
Gov. Alida Frances said a person can stand at one point on St. Eustatius and see the ocean in every direction.
“We, as a small island, always felt that our story was hidden,” she said. “But we did everything ourselves to keep the story alive. When we tell people of the world that we played this important role in American history, especially in the independence of America, it seems farfetched to most people.”
“The First Salute” at the Weitzman Museum of American Jewish History pulled about 100 objects and manuscripts, many directly from St. Eustatius and its neighboring islands, which tell the story of smuggling, trade, weapons and international networking that was crucial to supply the War of Independence.
St. Eustatius, or Statia as it is known on the island, was and still is a territory of The Netherlands. The first ships of the newly minted U.S. Navy arrived in the island port in 1776 to pick up supplies, including critically needed gunpowder, just a few months after the Declaration of Independence was signed.
The island greeted the incoming navy ships with a 13-cannon salute, representing the 13 colonies. It was the first foreign entity to officially recognize the sovereignty of the United States.
The first artifact seen in “The First Salute” is a thoroughly rusted 18th-century cannon from St. Eustatius. Its provenance is murky, but the cannon may have been one of those fired in the titular salute.
“I don’t know if a cannon from St. Eustatius has ever been exhibited in the United States,” curator Josh Perelman said.
The ‘First Salute’ is a Jewish story
In 1777, St. Eustatius, like many Caribbean islands, had large Jewish populations. Many Jews fleeing European countries, particularly antisemitic oppression in Spain, Portugal and Eastern European countries, migrated to more favorable countries, such as Holland.
Many continued onto Caribbean territories to take advantage of trading opportunities. Positioned along favorable Atlantic trade winds between Europe and Africa and the Americas, the Caribbean islands were essential and lucrative shipping ports.
St. Eustatius became a strategic military position for shipping military support from European allies to the American revolutionary effort, including weapons and gunpowder.
“There have been books written about St. Eustatius and its role in the Revolution,” said Laura Arnold Leibman, professor of American Jewish Studies at Princeton University, who consulted on the Weitzman exhibition.
“Those books, weirdly, have not told much about Jews,” she said, “which we think was a huge missed opportunity.”
In the late 18th century, St. Eustatius had a population of about a tenth of Philadelphia’s, but its Jewish population was larger than that of any North American city. In all of the colonies, there were only two established synagogues — in New York City and Newport, Rhode Island.
“Many people don’t know, but before 1825 the largest Jewish communities in the Americas were all in the Caribbean,” Leibman said. “St. Eustatius, a relatively small island geographically, had about twice the Jewish population of either Philadelphia or New York at the time.”
American Jews were not unanimous in their support of the American Revolution. One of Leibman’s favorite objects in the exhibition is a piece of needlework by a 15-year-old Jewish girl in New York, Rebecca Hendricks, depicting the 10 Commandments. Leibman said Hendrix’s father signed a loyalty oath to King George III, seen right next to the sampler.
“This is a good example of us trying to make sure we are not just saying ‘Rah! Rah! Rah! Patriots!’ all the time,” she said. “Jews, like every other group of people, were on both sides of the conflict.”
The downfall of the Jews on St. Eustatius
Regardless of which side of the War of Independence they aligned on, Jews on St. Eustatius ultimately suffered. Many were financially wiped out by the war.
The British Admiral George Rodney captured the island in 1781 to suffocate American supply lines. There, he discovered the merchants of St. Eustatius were fabulously wealthy. Targeting the Jews in particular, Rodney systematically plundered anything and everything of value on the island for his personal benefit.
“They were robbed blind,” Francis said. “Their ships were intercepted, robbed of all of the cargo that they brought in for trade. Their shops were robbed. They were exiled. Gradually, they started to move away from the island because they felt no longer safe. The whole economy of the islands went downhill.”
Frances said there is no longer a Jewish community on St. Eustatius. Nevertheless, the residents have preserved the island’s Jewish legacy. The walls of the original synagogue, now in ruins, still stand. Artifacts such as Dutch Delft plateware and sundry Judaica objects have been preserved.
“We know that it was there at the time of The First Salute, at the time of the Revolution,” Perelman said. “It’s incredible to have it here in Philadelphia and to give visitors the opportunity to see this remarkable object that is humble but tells such a massive story.”
“The First Salute” will be on view at the Weitzman Museum of American Jewish History through April 2027.
https://whyy.org/person/peter-crimmins/ “The First Salute” includes a Hanukkah oil lamp, believed to be the only 18th-century object of Jewish ritual from St. Eustatius to survive.
The governor of Sint Eustatius, a tiny Caribbean island about 100 miles east of Puerto Rico, came to Philadelphia to inaugurate a semiquincentennial exhibition that shows how the island played a critical role in the American Revolution.
Gov. Alida Frances said a person can stand at one point on St. Eustatius and see the ocean in every direction.
“We, as a small island, always felt that our story was hidden,” she said. “But we did everything ourselves to keep the story alive. When we tell people of the world that we played this important role in American history, especially in the independence of America, it seems farfetched to most people.”
“The First Salute” at the Weitzman Museum of American Jewish History pulled about 100 objects and manuscripts, many directly from St. Eustatius and its neighboring islands, which tell the story of smuggling, trade, weapons and international networking that was crucial to supply the War of Independence.
St. Eustatius, or Statia as it is known on the island, was and still is a territory of The Netherlands. The first ships of the newly minted U.S. Navy arrived in the island port in 1776 to pick up supplies, including critically needed gunpowder, just a few months after the Declaration of Independence was signed.
The island greeted the incoming navy ships with a 13-cannon salute, representing the 13 colonies. It was the first foreign entity to officially recognize the sovereignty of the United States.
The first artifact seen in “The First Salute” is a thoroughly rusted 18th-century cannon from St. Eustatius. Its provenance is murky, but the cannon may have been one of those fired in the titular salute.
“I don’t know if a cannon from St. Eustatius has ever been exhibited in the United States,” curator Josh Perelman said.
The ‘First Salute’ is a Jewish story
In 1777, St. Eustatius, like many Caribbean islands, had large Jewish populations. Many Jews fleeing European countries, particularly antisemitic oppression in Spain, Portugal and Eastern European countries, migrated to more favorable countries, such as Holland.
Many continued onto Caribbean territories to take advantage of trading opportunities. Positioned along favorable Atlantic trade winds between Europe and Africa and the Americas, the Caribbean islands were essential and lucrative shipping ports.
St. Eustatius became a strategic military position for shipping military support from European allies to the American revolutionary effort, including weapons and gunpowder.
“There have been books written about St. Eustatius and its role in the Revolution,” said Laura Arnold Leibman, professor of American Jewish Studies at Princeton University, who consulted on the Weitzman exhibition.
“Those books, weirdly, have not told much about Jews,” she said, “which we think was a huge missed opportunity.”
In the late 18th century, St. Eustatius had a population of about a tenth of Philadelphia’s, but its Jewish population was larger than that of any North American city. In all of the colonies, there were only two established synagogues — in New York City and Newport, Rhode Island.
“Many people don’t know, but before 1825 the largest Jewish communities in the Americas were all in the Caribbean,” Leibman said. “St. Eustatius, a relatively small island geographically, had about twice the Jewish population of either Philadelphia or New York at the time.”
American Jews were not unanimous in their support of the American Revolution. One of Leibman’s favorite objects in the exhibition is a piece of needlework by a 15-year-old Jewish girl in New York, Rebecca Hendricks, depicting the 10 Commandments. Leibman said Hendrix’s father signed a loyalty oath to King George III, seen right next to the sampler.
“This is a good example of us trying to make sure we are not just saying ‘Rah! Rah! Rah! Patriots!’ all the time,” she said. “Jews, like every other group of people, were on both sides of the conflict.”
The downfall of the Jews on St. Eustatius
Regardless of which side of the War of Independence they aligned on, Jews on St. Eustatius ultimately suffered. Many were financially wiped out by the war.
The British Admiral George Rodney captured the island in 1781 to suffocate American supply lines. There, he discovered the merchants of St. Eustatius were fabulously wealthy. Targeting the Jews in particular, Rodney systematically plundered anything and everything of value on the island for his personal benefit.
“They were robbed blind,” Francis said. “Their ships were intercepted, robbed of all of the cargo that they brought in for trade. Their shops were robbed. They were exiled. Gradually, they started to move away from the island because they felt no longer safe. The whole economy of the islands went downhill.”
Frances said there is no longer a Jewish community on St. Eustatius. Nevertheless, the residents have preserved the island’s Jewish legacy. The walls of the original synagogue, now in ruins, still stand. Artifacts such as Dutch Delft plateware and sundry Judaica objects have been preserved.
“We know that it was there at the time of The First Salute, at the time of the Revolution,” Perelman said. “It’s incredible to have it here in Philadelphia and to give visitors the opportunity to see this remarkable object that is humble but tells such a massive story.”
“The First Salute” will be on view at the Weitzman Museum of American Jewish History through April 2027.
https://whyy.org/person/peter-crimmins/ “The First Salute” includes a Hanukkah oil lamp, believed to be the only 18th-century object of Jewish ritual from St. Eustatius to survive.
Tuesday, May 5, 2026
Rare Declarations On Display At American Philosophical Society Museum In Philadelphia
Inside the American Philosophical Society's Museum, 19 rare copies of the Declaration of Independence from the nation's first 50 years are on public view.
The exhibition traces how the document evolved-from early newspaper printings to a politicized symbol and later a memorialized national treasure.
Alongside the Declarations are about 30 related objects, including a massive 18thcentury map of North America and items connected to Thomas Jefferson.
Founded by Benjamin Franklin in 1743, the APS houses one of the nation's oldest and most extensive scholarly collections.
Curator David Gary hopes the exhibit encourages visitors to read, reflect on, and thoughtfully discuss the Declaration today.
American Philosophical Society |
Museum at Philosophical Hall, 104 S 5th Street, Philadelphia, Pa. 19106
By Wendy Daughenbaugh
Monday, April 13, 2026
A Nation Of Artists-Philadelphia Museum of Art: April 12, 2026–July 5, 2027 Pennsylvania Academy Of The Fine Arts: April 12, 2026–September 5, 2027
The Pennsylvania Academy of the Fine Arts (PAFA) and the Philadelphia Museum of Art (PMA) present A Nation of Artists, a landmark exhibition and collaboration with the private Middleton Family Collection, on view from April 2026 to September 2027.
Organized in conjunction with America’s 250th anniversary, A Nation of Artists examines how artistic production in the United States has been shaped by creativity, exchange, expansion, conflict, and innovation. At PAFA, works made from the late 18th century to today will be arranged thematically to explore scenes of westward expansion, the rise of industry, and international exchange. At PMA, which is celebrating its 150th anniversary in 2026, visitors will encounter a chronological display of American art from 1700 to 1960, revealing the global connections that spurred artistic and technological innovation, as well as makers inspired by the natural world, western expansion, and dramatic shifts in economic abundance and disparity.
Installed throughout PAFA’s recently restored Historic Landmark Building and PMA’s newly renovated American art galleries, the exhibition will chart America’s history from 1700 to the present day through more than 1,000 paintings, photographs, sculptures, decorative arts, and more. Across both museums, more than 120 rarely seen works from the Middleton Family Collection—one of the nation’s most significant private holdings of American art—will be on public view for the first time.
Collective highlights from A Nation of Artists will include:
Large-scale portraiture and figurative paintings, from Charles Willson Peale’s self-portrait and portrait of George Washington to Thomas Eakins’s famous Portrait of Dr. Samuel D. Gross (The Gross Clinic).
Lush landscapes and scenes of the natural world by Albert Bierstadt, Frederic Edwin Church, Winslow Homer, Rookwood Pottery, and Georgia O’Keeffe.
Explorations of the Civil War period, including a monumental jar made and inscribed by the enslaved potter Dave, who later took the name David Drake.
Textiles, ceramics, and sculpture by Native American artists from Haida, Hodínöhšö:ni:h (Iroquois Confederacy), Diné, Hopi, and Pueblo nations and contemporary Lenape artist Laura Watters Maynor (Delaware Tribe of Indians, Wolf Clan).
Impressionist paintings by Mary Cassatt, William Merritt Chase, Daniel Garber, and John Singer Sargent, as well as work by modern masters such as Jasper Johns and Andy Warhol.
Contemporary artists such as Njideka Akunyili Crosby, Rina Banerjee, María Berrío, Willie Cole, Clarity Haynes, Gisela McDaniel, Toyin Ojih Odutola, Catherine Opie, Stephanie Syjuco, Mickalene Thomas, and Kara Walker, and many more.
“Our aspiration is that this exhibition is for everyone—no prior knowledge of art or history required,” noted John S. Middleton. “We believe in the power of storytelling to connect people and are thrilled to partner with these two storied institutions to share the works that have brought our family so much joy and inspiration. Like baseball, art has the power to bring people together and surprise us when we least expect it. With every viewing, there’s something new to discover. It’s an honor to help bring American art to life in a new way during this very special 250th commemoration of our country’s founding.”
“This is a transformative moment for PAFA and for Philadelphia,” said Kristen Shepherd, President and CEO of the Pennsylvania Academy of the Fine Arts. “As PAFA celebrates its 220th anniversary as America’s first art museum and school and the reopening of the Historic Landmark Building, we invite audiences into a renewed experience—one that reflects our storied legacy as the nation’s first art school and museum, while offering a powerful setting for a reimagined installation of our collection, enriched by works from the Middleton Family Collection. In collaboration with the Philadelphia Museum of Art, we are proud to present A Nation of Artists in a way that is deeply rooted in PAFA’s history, yet forward-looking in its exploration of what defines American art today.”
“Commemorating the country’s semiquincentennial and PMA’s 150th anniversary, we are honored to collaborate with the esteemed Pennsylvania Academy of the Fine Arts and the rarely seen Middleton Family Collection,” said Daniel Weiss, George D. Widener Director and CEO of the Philadelphia Museum of Art. “A Nation of Artists will span three centuries of art to trace the ever-evolving story of American creativity. This exhibition, a cultural milestone, will bring together voices from around the country through innovative programs, partnerships, and scholarship.”
To learn more about A Nation of Artists, including exhibition details, programming, and visiting information, visit ANationofArtists.org
Organized in conjunction with America’s 250th anniversary, A Nation of Artists examines how artistic production in the United States has been shaped by creativity, exchange, expansion, conflict, and innovation. At PAFA, works made from the late 18th century to today will be arranged thematically to explore scenes of westward expansion, the rise of industry, and international exchange. At PMA, which is celebrating its 150th anniversary in 2026, visitors will encounter a chronological display of American art from 1700 to 1960, revealing the global connections that spurred artistic and technological innovation, as well as makers inspired by the natural world, western expansion, and dramatic shifts in economic abundance and disparity.
Installed throughout PAFA’s recently restored Historic Landmark Building and PMA’s newly renovated American art galleries, the exhibition will chart America’s history from 1700 to the present day through more than 1,000 paintings, photographs, sculptures, decorative arts, and more. Across both museums, more than 120 rarely seen works from the Middleton Family Collection—one of the nation’s most significant private holdings of American art—will be on public view for the first time.
Collective highlights from A Nation of Artists will include:
Large-scale portraiture and figurative paintings, from Charles Willson Peale’s self-portrait and portrait of George Washington to Thomas Eakins’s famous Portrait of Dr. Samuel D. Gross (The Gross Clinic).
Lush landscapes and scenes of the natural world by Albert Bierstadt, Frederic Edwin Church, Winslow Homer, Rookwood Pottery, and Georgia O’Keeffe.
Explorations of the Civil War period, including a monumental jar made and inscribed by the enslaved potter Dave, who later took the name David Drake.
Textiles, ceramics, and sculpture by Native American artists from Haida, Hodínöhšö:ni:h (Iroquois Confederacy), Diné, Hopi, and Pueblo nations and contemporary Lenape artist Laura Watters Maynor (Delaware Tribe of Indians, Wolf Clan).
Impressionist paintings by Mary Cassatt, William Merritt Chase, Daniel Garber, and John Singer Sargent, as well as work by modern masters such as Jasper Johns and Andy Warhol.
Contemporary artists such as Njideka Akunyili Crosby, Rina Banerjee, María Berrío, Willie Cole, Clarity Haynes, Gisela McDaniel, Toyin Ojih Odutola, Catherine Opie, Stephanie Syjuco, Mickalene Thomas, and Kara Walker, and many more.
“Our aspiration is that this exhibition is for everyone—no prior knowledge of art or history required,” noted John S. Middleton. “We believe in the power of storytelling to connect people and are thrilled to partner with these two storied institutions to share the works that have brought our family so much joy and inspiration. Like baseball, art has the power to bring people together and surprise us when we least expect it. With every viewing, there’s something new to discover. It’s an honor to help bring American art to life in a new way during this very special 250th commemoration of our country’s founding.”
“This is a transformative moment for PAFA and for Philadelphia,” said Kristen Shepherd, President and CEO of the Pennsylvania Academy of the Fine Arts. “As PAFA celebrates its 220th anniversary as America’s first art museum and school and the reopening of the Historic Landmark Building, we invite audiences into a renewed experience—one that reflects our storied legacy as the nation’s first art school and museum, while offering a powerful setting for a reimagined installation of our collection, enriched by works from the Middleton Family Collection. In collaboration with the Philadelphia Museum of Art, we are proud to present A Nation of Artists in a way that is deeply rooted in PAFA’s history, yet forward-looking in its exploration of what defines American art today.”
“Commemorating the country’s semiquincentennial and PMA’s 150th anniversary, we are honored to collaborate with the esteemed Pennsylvania Academy of the Fine Arts and the rarely seen Middleton Family Collection,” said Daniel Weiss, George D. Widener Director and CEO of the Philadelphia Museum of Art. “A Nation of Artists will span three centuries of art to trace the ever-evolving story of American creativity. This exhibition, a cultural milestone, will bring together voices from around the country through innovative programs, partnerships, and scholarship.”
To learn more about A Nation of Artists, including exhibition details, programming, and visiting information, visit ANationofArtists.org
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