Low-cost Mexican airline Volaris has announced a significant network expansion with 33 new routes, set to begin operating in June 2026. This massive expansion aims to boost tourism and business connectivity across North America, timed perfectly with the build-up to the 2026 FIFA World Cup.
The new network includes 11 international routes connecting to the United States and 22 domestic routes within Mexico. The new flights introduce services to four new airports, including Detroit (DTW) and Salt Lake City (SLC) in the U.S., and Saltillo (SLW) and Reynosa (REX) in Mexico.
Key hubs like Guadalajara (GDL), Puebla (PBC), Querétaro (QRO), and San Luis Potosí (SLP) will see increased connectivity, particularly strengthening access to Texas markets such as Houston, Dallas-Fort Worth, and San Antonio.
With matches scheduled in Mexico City, Guadalajara, and Monterrey, efficient transportation for fans is crucial. This expansion strengthens regional airports and provides travelers with direct, affordable options to reach these host cities and other destinations, with an estimated 5 million travelers expected in Mexico for the tournament. Cancún is already uniquely positioned as the only airport in Mexico with direct flights to all 16 World Cup host cities, a status further solidified by industry-wide growth.
The new routes are now on sale and scheduled to start in the first week of June 2026.
Travelore Report, Monthly In Print Since 1971
Wednesday, February 18, 2026
Tuesday, February 17, 2026
Mardi Gras In New Orleans Makes Changes To It’s Famous Beads A Year After Bringing In Ban
Beads are back, but not the cheap plastic ones.
New Orleans is immersed in Carnival season, synonymous with its myriad green, gold, and purple Mardi Gras beads. Once cherished glass keepsakes, eagerly caught by parade-goers, these have evolved into countless cheap plastic necklaces, mass-produced overseas and flung from floats.
While many spectators adorn themselves with dozens, a significant number are discarded or left strewn across the streets. The environmental toll became starkly apparent a few years ago when, following severe flooding, the city discovered over 46 tons obstructing its storm drains. This growing ecological concern presents a dilemma: the beads are now widely seen as a problem, yet a Mardi Gras without them feels almost unimaginable.
In a radical move towards sustainability, the Krewe of Freret took the decision last year to prohibit plastic beads from their parade entirely.
“Our riders loved it because the spectators don’t value this anymore,” Freret co-founder Greg Rhoades said. “It’s become so prolific that they dodge out of the way when they see cheap plastic beads coming at them."
This year, beads are back, but not the cheap plastic ones. Freret is one of three krewes throwing biodegradable beads developed at Louisiana State University.
The “PlantMe Beads” are 3D-printed from a starch-based, commercially available material called polylactic acid, or PLA, graduate student Alexis Strain said. The individual beads are large hollow spheres containing okra seeds. That is because the necklaces can actually be planted, and the okra attracts bacteria that help them decompose.
Kristi Trail, executive director of the Pontchartrain Conservancy, said plastic beads are a twofold problem. First, they clog the storm drains, leading to flooding. Then those that aren’t caught in the drains are washed directly into Lake Pontchartrain, where they can harm marine life. The group is currently preparing to study microplastics in the lake.
The trend toward a more sustainable Mardi Gras has been growing for years and includes a small but growing variety of more thoughtful throws like food, soaps and sunglasses. Trail said there is no good data right now to say if those efforts are having an impact, but the group recently got a grant that should help them answer the question in the future.
“Beads are obviously a problem, but we generate about 2.5 million pounds of trash from Mardi Gras,” Trail said.
Strain works in the lab of Professor Naohiro Kato, an associate professor of biology at LSU. He first got the idea to develop biodegradable beads in 2013 after talking to people concerned about the celebration's environmental impact. As a plant biologist, Kato knew that bioplastics could be made from plants and got curious about the possibilities.
The first iteration of the lab's biodegradable beads came in 2018, when they produced beads made from a bioplastic derived from microalgae. However, production costs were too high for the algae-based beads to offer a practical alternative to petroleum-based beads. Then Strain started experimenting with 3D printing, and the PlantMe Bead was born.
For the 2026 Carnival season, LSU students have produced 3,000 PlantMe Bead necklaces that they are giving to three krewes in exchange for feedback on the design and on how well they are received by spectators.
One funny thing, Kato said, is that people have told him they love how unique the PlantMe Beads are and want to keep them.
“So wait a minute, if you want to keep it, the petroleum-plastic Mardi Gras bead is the best, because this won’t last,” he said.
The lab is still working on ideas for a more sustainable Mardi Gras. Strain is experimenting with a different 3D printer material that biodegrades quickly without needing to be planted. Kato is talking with local schools about turning Mardi Gras bead-making into a community project. He envisions students 3D printing necklaces while learning about bioplastics and plant biology. And he is still exploring ways to make algae-based bioplastic commercially viable.
Ultimately, however, Kato said, the goal should not be to replace one plastic bead with a less harmful one. He hopes Mardi Gras embraces the idea of less waste.
Rhoades said Freret is moving in the same direction.
“In 2025, we were the first krewe — major parading organization — to say, ‘No more. No more cheap beads. Let’s throw things that people value, that people appreciate, that can be used year-round,’ " Rhoades said.
One of the most coveted items they throw is baseball hats with the Freret logo. He sees people wearing the hats around the city, and he says other krewes have noticed.
“I really believe that we, and other krewes, are able to inspire your larger krewes,” he said. “They want people to like their stuff. They want people take their stuff home, and use it, and talk about it, and post it on social media, and say, ‘Look what I just caught!’ ”
https://www.independent.co.uk/author/stephen-smith
New Orleans is immersed in Carnival season, synonymous with its myriad green, gold, and purple Mardi Gras beads. Once cherished glass keepsakes, eagerly caught by parade-goers, these have evolved into countless cheap plastic necklaces, mass-produced overseas and flung from floats.
While many spectators adorn themselves with dozens, a significant number are discarded or left strewn across the streets. The environmental toll became starkly apparent a few years ago when, following severe flooding, the city discovered over 46 tons obstructing its storm drains. This growing ecological concern presents a dilemma: the beads are now widely seen as a problem, yet a Mardi Gras without them feels almost unimaginable.
In a radical move towards sustainability, the Krewe of Freret took the decision last year to prohibit plastic beads from their parade entirely.
“Our riders loved it because the spectators don’t value this anymore,” Freret co-founder Greg Rhoades said. “It’s become so prolific that they dodge out of the way when they see cheap plastic beads coming at them."
This year, beads are back, but not the cheap plastic ones. Freret is one of three krewes throwing biodegradable beads developed at Louisiana State University.
The “PlantMe Beads” are 3D-printed from a starch-based, commercially available material called polylactic acid, or PLA, graduate student Alexis Strain said. The individual beads are large hollow spheres containing okra seeds. That is because the necklaces can actually be planted, and the okra attracts bacteria that help them decompose.
Kristi Trail, executive director of the Pontchartrain Conservancy, said plastic beads are a twofold problem. First, they clog the storm drains, leading to flooding. Then those that aren’t caught in the drains are washed directly into Lake Pontchartrain, where they can harm marine life. The group is currently preparing to study microplastics in the lake.
The trend toward a more sustainable Mardi Gras has been growing for years and includes a small but growing variety of more thoughtful throws like food, soaps and sunglasses. Trail said there is no good data right now to say if those efforts are having an impact, but the group recently got a grant that should help them answer the question in the future.
“Beads are obviously a problem, but we generate about 2.5 million pounds of trash from Mardi Gras,” Trail said.
Strain works in the lab of Professor Naohiro Kato, an associate professor of biology at LSU. He first got the idea to develop biodegradable beads in 2013 after talking to people concerned about the celebration's environmental impact. As a plant biologist, Kato knew that bioplastics could be made from plants and got curious about the possibilities.
The first iteration of the lab's biodegradable beads came in 2018, when they produced beads made from a bioplastic derived from microalgae. However, production costs were too high for the algae-based beads to offer a practical alternative to petroleum-based beads. Then Strain started experimenting with 3D printing, and the PlantMe Bead was born.
For the 2026 Carnival season, LSU students have produced 3,000 PlantMe Bead necklaces that they are giving to three krewes in exchange for feedback on the design and on how well they are received by spectators.
One funny thing, Kato said, is that people have told him they love how unique the PlantMe Beads are and want to keep them.
“So wait a minute, if you want to keep it, the petroleum-plastic Mardi Gras bead is the best, because this won’t last,” he said.
The lab is still working on ideas for a more sustainable Mardi Gras. Strain is experimenting with a different 3D printer material that biodegrades quickly without needing to be planted. Kato is talking with local schools about turning Mardi Gras bead-making into a community project. He envisions students 3D printing necklaces while learning about bioplastics and plant biology. And he is still exploring ways to make algae-based bioplastic commercially viable.
Ultimately, however, Kato said, the goal should not be to replace one plastic bead with a less harmful one. He hopes Mardi Gras embraces the idea of less waste.
Rhoades said Freret is moving in the same direction.
“In 2025, we were the first krewe — major parading organization — to say, ‘No more. No more cheap beads. Let’s throw things that people value, that people appreciate, that can be used year-round,’ " Rhoades said.
One of the most coveted items they throw is baseball hats with the Freret logo. He sees people wearing the hats around the city, and he says other krewes have noticed.
“I really believe that we, and other krewes, are able to inspire your larger krewes,” he said. “They want people to like their stuff. They want people take their stuff home, and use it, and talk about it, and post it on social media, and say, ‘Look what I just caught!’ ”
https://www.independent.co.uk/author/stephen-smith
Traveling During Ramadan: 10 Simple Etiquette Tips Americans Will Appreciate Knowing
Ramadan can be a wonderful time to visit places with Muslim communities, but the daily rhythm shifts in ways first-time visitors may not expect. Daytime streets can feel quieter, and then the mood changes after sunset into a warm, social rush. A little awareness helps you blend in and avoid accidental awkwardness. Think of it as learning a local tempo, like adapting to siesta hours or a national holiday week.
Customs vary by country, city, and even neighborhood, so treat these tips as a respectful baseline, not a rigid rulebook. Ask hotel staff what is normal where you are staying, especially around public eating, dress expectations, and late-night activity. When you lead with courtesy, locals usually respond with generosity. The goal is simple: let people observe the month in peace while you still enjoy your trip.
1. Follow the Daily Timing and You Will Understand Everything Faster
Image Credit: Shutterstock.
During this month, many people abstain from food and drink from dawn until sunset. In some destinations, eating, drinking, or smoking in public during daylight can be seen as rude, and in a few places it can even be restricted by local rules. If you need water or a snack, step into your room, a discreet corner, or a place clearly serving non-fasting guests. That small choice reads as consideration, not self-denial.
After sunset, the city can feel like it exhales all at once. Streets fill up for the fast-breaking meal, and cafés suddenly buzz. Expect lines, laughter, and shared plates, especially around iftar. Try joining the evening energy at least once, because it is often one of the most memorable parts of traveling during Ramadan.
2. Choose Clothing That Signals Respect Without Feeling Costume-Like
Image Credit: Shutterstock.
In many areas, dressing a little more covered than you might in midsummer is appreciated, especially near religious sites. Think shoulders and knees covered, and avoid sheer fabrics in public spaces. You do not need to abandon your style, just shift it toward simple, neat, and understated. A light layer also helps if evenings turn cool while you wait for dinner.
Standards differ by region, so watch what locals wear and match the general level of modesty. Beach towns can be relaxed, while traditional districts may expect more coverage. If you are unsure, ask your accommodation what is typical. Comfort matters, but so does reading the room.
3. Be Thoughtful When You Eat, Drink, or Chew in Front of Others
Image Credit: Shutterstock.
Nobody expects visitors to fast, but public snacking can land badly in daylight when many people are hungry and thirsty. In mixed crowds, keep gum, candy, and drinks low-key. If someone offers you hospitality, accept graciously if you can, and if you cannot, decline warmly without overexplaining. A polite tone does more work than perfect wording.
When you do eat openly, choose settings where it is clearly normal, such as a hotel restaurant or a café serving daytime guests. In airports and major tourist zones, you will usually see plenty of people eating, so the social pressure is lower. In smaller towns, taking a quieter approach goes a long way. This is less about rules and more about empathy.
4. Plan Meals Around Evening Demand and You Will Avoid Frustration
Image Credit: Shutterstock.
Dinner hours can shift later, and popular restaurants may fill quickly right after sunset. Make a reservation when possible, especially if you have your heart set on a specific place. If reservations are not common where you are, arrive early and expect service to move a bit slower. Staff are often balancing their own needs as they break the fast while serving a crowd.
Daytime dining can be limited, especially outside big cities. Keep a few snacks in your room, and do not assume your usual lunch routine will work. If you are on a tight sightseeing schedule, front-load daytime museums and save flexible wandering for later. A trip planned with the clock in mind feels smoother immediately.
5. Keep Noise and Nightlife Expectations Realistic
Image Credit: Shutterstock.
Some places stay lively late into the night, but the vibe can differ from a typical party season. Music-heavy venues may run reduced hours, and some districts become more family-focused after dark. If you want nightlife, choose a neighborhood known for it and confirm schedules before you head out. Quiet areas deserve quiet behavior, especially late at night.
In many cities, evening prayer gatherings can bring traffic, crowds, and a calmer mood around mosques. Treat those moments like you would near a church service or a memorial, with lower volume and less showy behavior. If you are staying near a prayer area, pack earplugs, because the soundscape can feel unfamiliar at first. Planning ahead helps you stay comfortable and respectful at the same time.
6. Ask Before Taking Photos of People, Especially Near Worship
Image Credit: Shutterstock.
Festive lights, street food, and family gatherings can make everything look photogenic, but not everyone wants to be part of a stranger’s album. If you are photographing individuals, ask first, and accept “no” immediately. Avoid filming people while they are praying, breaking the fast, or sharing personal moments at a table. A little restraint prevents real discomfort.
For architecture shots, you are usually fine, but pay attention to posted signs. Some religious sites restrict photography entirely, while others allow it in courtyards only. If staff gives guidance, follow it without debate. You will still get great images, and you will keep the atmosphere friendly.
7. Learn Basic Mosque Etiquette Before You Step Inside
Image Credit: Shutterstock.
If you visit a mosque, dress conservatively and arrive with a calm, observant mindset. Shoes usually come off before prayer areas, and speaking softly is expected. Some sites have separate spaces for men and women, and certain areas may be off-limits to visitors during prayer times. When in doubt, ask a staff member rather than guessing.
Timing matters more than you might think. Visiting outside peak prayer windows makes everything easier for you and for the people worshipping. Guided tours can be a great option because they explain customs without awkward trial and error. Treat the visit like entering someone’s sacred living room, not like walking into a museum lobby.
8. Expect a Pre-Sunset Rush and Build Buffer Time Into Transit
Image Credit: Shutterstock.
Just before sunset, traffic can thicken quickly as people try to get home for the fast-breaking meal. Rideshares may surge, buses may run behind, and shops can close earlier than usual. If you have a reservation, leave more time than your map suggests. This is one of the easiest moments to get stressed if you plan too tightly.
After dinner, movement often becomes easier again, and some cities stay active late. Use that to your advantage by doing long walks or evening exploring after the meal. If you are touring with a guide, ask how the schedule changes during Ramadan. A small adjustment can save you a lot of standing around.
9. Be Careful With Alcohol and Public Behavior
Image Credit: Shutterstock.
Alcohol availability varies widely, and during Ramadan some venues reduce service or pause entirely. In places where it is available, keep consumption discreet and avoid public intoxication, which can be viewed very negatively. Even in destinations with a strong nightlife scene, this is not the moment for loud, sloppy behavior. If you drink, do it in appropriate venues and keep the tone relaxed.
Smoking can be another sensitive area, since many people are abstaining during daylight. Avoid lighting up in mixed crowds, and follow local signage closely. If you need nicotine, look for designated areas or wait until later. Courtesy here prevents conflict almost automatically.
10. Remember the Ending Holiday and Plan for Closures
Image Credit: Shutterstock.
The month ends with Eid al-Fitr, a major celebration that can shift business hours, transportation patterns, and hotel check-in flow. Shops may close, families travel, and certain services may pause for a day or more. If your itinerary overlaps with Eid, confirm operating hours for museums, tours, and long-distance transit early. A quick check prevents last-minute surprises.
Eid is also a wonderful cultural moment if you approach it respectfully. Simple greetings are appreciated, and you may see people dressed in their best, visiting relatives, and gathering for big meals. If someone invites you to join, accept only if you can do so politely and without turning it into a spectacle. Showing up with warmth and humility is the real etiquette win.
https://guessingheadlights.com/contributor/iva-mrakovic/
Customs vary by country, city, and even neighborhood, so treat these tips as a respectful baseline, not a rigid rulebook. Ask hotel staff what is normal where you are staying, especially around public eating, dress expectations, and late-night activity. When you lead with courtesy, locals usually respond with generosity. The goal is simple: let people observe the month in peace while you still enjoy your trip.
1. Follow the Daily Timing and You Will Understand Everything Faster
Image Credit: Shutterstock.
During this month, many people abstain from food and drink from dawn until sunset. In some destinations, eating, drinking, or smoking in public during daylight can be seen as rude, and in a few places it can even be restricted by local rules. If you need water or a snack, step into your room, a discreet corner, or a place clearly serving non-fasting guests. That small choice reads as consideration, not self-denial.
After sunset, the city can feel like it exhales all at once. Streets fill up for the fast-breaking meal, and cafés suddenly buzz. Expect lines, laughter, and shared plates, especially around iftar. Try joining the evening energy at least once, because it is often one of the most memorable parts of traveling during Ramadan.
2. Choose Clothing That Signals Respect Without Feeling Costume-Like
Image Credit: Shutterstock.
In many areas, dressing a little more covered than you might in midsummer is appreciated, especially near religious sites. Think shoulders and knees covered, and avoid sheer fabrics in public spaces. You do not need to abandon your style, just shift it toward simple, neat, and understated. A light layer also helps if evenings turn cool while you wait for dinner.
Standards differ by region, so watch what locals wear and match the general level of modesty. Beach towns can be relaxed, while traditional districts may expect more coverage. If you are unsure, ask your accommodation what is typical. Comfort matters, but so does reading the room.
3. Be Thoughtful When You Eat, Drink, or Chew in Front of Others
Image Credit: Shutterstock.
Nobody expects visitors to fast, but public snacking can land badly in daylight when many people are hungry and thirsty. In mixed crowds, keep gum, candy, and drinks low-key. If someone offers you hospitality, accept graciously if you can, and if you cannot, decline warmly without overexplaining. A polite tone does more work than perfect wording.
When you do eat openly, choose settings where it is clearly normal, such as a hotel restaurant or a café serving daytime guests. In airports and major tourist zones, you will usually see plenty of people eating, so the social pressure is lower. In smaller towns, taking a quieter approach goes a long way. This is less about rules and more about empathy.
4. Plan Meals Around Evening Demand and You Will Avoid Frustration
Image Credit: Shutterstock.
Dinner hours can shift later, and popular restaurants may fill quickly right after sunset. Make a reservation when possible, especially if you have your heart set on a specific place. If reservations are not common where you are, arrive early and expect service to move a bit slower. Staff are often balancing their own needs as they break the fast while serving a crowd.
Daytime dining can be limited, especially outside big cities. Keep a few snacks in your room, and do not assume your usual lunch routine will work. If you are on a tight sightseeing schedule, front-load daytime museums and save flexible wandering for later. A trip planned with the clock in mind feels smoother immediately.
5. Keep Noise and Nightlife Expectations Realistic
Image Credit: Shutterstock.
Some places stay lively late into the night, but the vibe can differ from a typical party season. Music-heavy venues may run reduced hours, and some districts become more family-focused after dark. If you want nightlife, choose a neighborhood known for it and confirm schedules before you head out. Quiet areas deserve quiet behavior, especially late at night.
In many cities, evening prayer gatherings can bring traffic, crowds, and a calmer mood around mosques. Treat those moments like you would near a church service or a memorial, with lower volume and less showy behavior. If you are staying near a prayer area, pack earplugs, because the soundscape can feel unfamiliar at first. Planning ahead helps you stay comfortable and respectful at the same time.
6. Ask Before Taking Photos of People, Especially Near Worship
Image Credit: Shutterstock.
Festive lights, street food, and family gatherings can make everything look photogenic, but not everyone wants to be part of a stranger’s album. If you are photographing individuals, ask first, and accept “no” immediately. Avoid filming people while they are praying, breaking the fast, or sharing personal moments at a table. A little restraint prevents real discomfort.
For architecture shots, you are usually fine, but pay attention to posted signs. Some religious sites restrict photography entirely, while others allow it in courtyards only. If staff gives guidance, follow it without debate. You will still get great images, and you will keep the atmosphere friendly.
7. Learn Basic Mosque Etiquette Before You Step Inside
Image Credit: Shutterstock.
If you visit a mosque, dress conservatively and arrive with a calm, observant mindset. Shoes usually come off before prayer areas, and speaking softly is expected. Some sites have separate spaces for men and women, and certain areas may be off-limits to visitors during prayer times. When in doubt, ask a staff member rather than guessing.
Timing matters more than you might think. Visiting outside peak prayer windows makes everything easier for you and for the people worshipping. Guided tours can be a great option because they explain customs without awkward trial and error. Treat the visit like entering someone’s sacred living room, not like walking into a museum lobby.
8. Expect a Pre-Sunset Rush and Build Buffer Time Into Transit
Image Credit: Shutterstock.
Just before sunset, traffic can thicken quickly as people try to get home for the fast-breaking meal. Rideshares may surge, buses may run behind, and shops can close earlier than usual. If you have a reservation, leave more time than your map suggests. This is one of the easiest moments to get stressed if you plan too tightly.
After dinner, movement often becomes easier again, and some cities stay active late. Use that to your advantage by doing long walks or evening exploring after the meal. If you are touring with a guide, ask how the schedule changes during Ramadan. A small adjustment can save you a lot of standing around.
9. Be Careful With Alcohol and Public Behavior
Image Credit: Shutterstock.
Alcohol availability varies widely, and during Ramadan some venues reduce service or pause entirely. In places where it is available, keep consumption discreet and avoid public intoxication, which can be viewed very negatively. Even in destinations with a strong nightlife scene, this is not the moment for loud, sloppy behavior. If you drink, do it in appropriate venues and keep the tone relaxed.
Smoking can be another sensitive area, since many people are abstaining during daylight. Avoid lighting up in mixed crowds, and follow local signage closely. If you need nicotine, look for designated areas or wait until later. Courtesy here prevents conflict almost automatically.
10. Remember the Ending Holiday and Plan for Closures
Image Credit: Shutterstock.
The month ends with Eid al-Fitr, a major celebration that can shift business hours, transportation patterns, and hotel check-in flow. Shops may close, families travel, and certain services may pause for a day or more. If your itinerary overlaps with Eid, confirm operating hours for museums, tours, and long-distance transit early. A quick check prevents last-minute surprises.
Eid is also a wonderful cultural moment if you approach it respectfully. Simple greetings are appreciated, and you may see people dressed in their best, visiting relatives, and gathering for big meals. If someone invites you to join, accept only if you can do so politely and without turning it into a spectacle. Showing up with warmth and humility is the real etiquette win.
https://guessingheadlights.com/contributor/iva-mrakovic/
Monday, February 16, 2026
Bahia Principe All‑Inclusive Resorts Join World Of Hyatt: What Travelers Should Know
A quiet ripple just rolled through the travel world—and if you’re a fan of sun‑splashed beaches, sprawling all‑inclusive resorts, or maximizing your loyalty points, this one’s worth paying attention to. Bahia Principe Hotels & Resorts, known for its Caribbean‑forward portfolio and generous all‑inclusive offerings, is officially joining World of Hyatt.
For many travelers, this partnership feels like two complementary worlds finally meeting: Hyatt’s global loyalty ecosystem and Bahia Principe’s beloved beachfront escapes. Let’s break down why this matters and what it means for your next getaway.
A Big Win for All‑Inclusive Fans
Bahia Principe has long been a favorite for travelers seeking value-packed vacations across Mexico, the Dominican Republic, Jamaica, and Spain. Their properties range from family‑friendly mega‑resorts to adults‑only hideaways, all built around the idea that vacation should feel effortless.
By joining World of Hyatt, these resorts are stepping into a loyalty program known for its flexibility, elite benefits, and global reach. For Hyatt loyalists, this means something simple but exciting: more places to earn and redeem points—many of them on some of the world’s most beautiful coastlines.
What World of Hyatt Members Can Expect
While full integration details will roll out in phases, here’s what travelers can look forward to:
More All‑Inclusive Choice
Hyatt has been steadily expanding its all‑inclusive footprint, and Bahia Principe adds dozens of new options across the Caribbean and Europe. Think beachfront suites, sprawling pools, and endless dining—all bookable with points.
Earning & Redeeming Points
Once integration is complete, members will be able to earn World of Hyatt points on stays and redeem them for free nights at participating Bahia Principe properties. For anyone who loves stretching points for maximum value, all‑inclusive resorts are often a sweet spot.
Hyatt’s elite members may see perks like room upgrades, premium check‑in, or other on‑property benefits. The specifics will depend on how each resort aligns with Hyatt’s all‑inclusive brand structure, but the potential is promising.
Why This Partnership Makes Sense
Travelers today want flexibility—more destinations, more styles of travel, and more ways to use their loyalty rewards. Hyatt has been leaning into this trend, especially with its growing Inclusive Collection. Bahia Principe brings:
• Strong presence in the Caribbean, especially the Dominican Republic and Riviera Maya
• A loyal guest base that values affordability without sacrificing experience
• A diverse portfolio, from family‑centric resorts to adults‑only escapes
For Bahia Principe, joining World of Hyatt opens the door to millions of new travelers who may not have considered the brand before.
This partnership is a win for travelers who love sun, sand, and simplicity. Whether you’re a Hyatt loyalist looking to expand your horizons or a Bahia Principe regular curious about loyalty perks, the future looks bright
For many travelers, this partnership feels like two complementary worlds finally meeting: Hyatt’s global loyalty ecosystem and Bahia Principe’s beloved beachfront escapes. Let’s break down why this matters and what it means for your next getaway.
A Big Win for All‑Inclusive Fans
Bahia Principe has long been a favorite for travelers seeking value-packed vacations across Mexico, the Dominican Republic, Jamaica, and Spain. Their properties range from family‑friendly mega‑resorts to adults‑only hideaways, all built around the idea that vacation should feel effortless.
By joining World of Hyatt, these resorts are stepping into a loyalty program known for its flexibility, elite benefits, and global reach. For Hyatt loyalists, this means something simple but exciting: more places to earn and redeem points—many of them on some of the world’s most beautiful coastlines.
What World of Hyatt Members Can Expect
While full integration details will roll out in phases, here’s what travelers can look forward to:
More All‑Inclusive Choice
Hyatt has been steadily expanding its all‑inclusive footprint, and Bahia Principe adds dozens of new options across the Caribbean and Europe. Think beachfront suites, sprawling pools, and endless dining—all bookable with points.
Earning & Redeeming Points
Once integration is complete, members will be able to earn World of Hyatt points on stays and redeem them for free nights at participating Bahia Principe properties. For anyone who loves stretching points for maximum value, all‑inclusive resorts are often a sweet spot.
Hyatt’s elite members may see perks like room upgrades, premium check‑in, or other on‑property benefits. The specifics will depend on how each resort aligns with Hyatt’s all‑inclusive brand structure, but the potential is promising.
Why This Partnership Makes Sense
Travelers today want flexibility—more destinations, more styles of travel, and more ways to use their loyalty rewards. Hyatt has been leaning into this trend, especially with its growing Inclusive Collection. Bahia Principe brings:
• Strong presence in the Caribbean, especially the Dominican Republic and Riviera Maya
• A loyal guest base that values affordability without sacrificing experience
• A diverse portfolio, from family‑centric resorts to adults‑only escapes
For Bahia Principe, joining World of Hyatt opens the door to millions of new travelers who may not have considered the brand before.
This partnership is a win for travelers who love sun, sand, and simplicity. Whether you’re a Hyatt loyalist looking to expand your horizons or a Bahia Principe regular curious about loyalty perks, the future looks bright
Sunday, February 15, 2026
Noah Davis January 24–April 26, 2026 At The Philadelphia Museum Of Art
The Philadelphia Art Museum announces a landmark survey of the late American artist Noah Davis (1983–2015). Bringing together over 60 works, this exhibition will chart Davis’s practice across painting, sculpture, works on paper, and curating, marking the final stop on an international tour organized with DAS MINSK in Potsdam, the Barbican in London, and the Hammer Museum in Los Angeles.
Davis’s work captures the intricacies of Black life with tenderness and depth, linking personal and collective narratives in ways that profoundly resonate with our times. Arranged chronologically, the exhibition will feature work made from 2007 until his untimely death in 2015, addressing a wide range of subjects, including politics, family histories, mythology, race, architecture, and visual culture. His masterfully constructed paintings—which fluidly move between styles and techniques to alternately depict dreamlike, joyful, melancholic, and even surreal scenes—will be shown alongside his experimental sculptures and works on paper that speak to the conceptual foundations of Davis’s practice.
Davis was deeply invested in the idea that art should be accessible to all. In 2012, he and his wife, fellow artist Karon Davis, cofounded the Underground Museum in the historically Black and Latinx neighborhood of Arlington Heights, Los Angeles. They converted four storefronts into a free cultural center, transforming the parking lot into a garden planted with purple flowers. For a period, Davis used the Underground Museum as a studio, as well as a site for residencies, and an exhibition space, eventually entering into a partnership with the Museum of Contemporary Art (MOCA) to lend works from their collection starting in 2014. By the time of his death, Davis had planned 18 exhibitions for the Underground Museum using MOCA’s collection—the majority of which remain unrealized— motivated by the desire to “change the way people view art, the way they buy art, the way they make art.”
Highlights from the exhibition will include 40 Acres and a Unicorn (2007), a striking blend of fantasy and history; Isis (2009), a portrait of his wife Karon depicted as the Egyptian goddess; Savage Wilds (2012), a series in which Davis cast his gaze upon the complex portrayals of Black subjects on daytime television; and the renowned Pueblo del Rio series (2014), paintings that reimagined one of the oldest, largest, and most architecturally significant public housing developments in Los Angeles.
The exhibition is curated by Eleanor Nairne, Keith L. and Katherine Sachs Curator for Modern and Contemporary Art and Head of Department at the Philadelphia Art Museum and former Barbican Senior Curator, and Wells Fray-Smith, Curator, Barbican.
“On every encounter, I am struck again by the potency of Noah Davis’s work and it is an honor to share his practice with audiences in Philadelphia,” said Nairne. “Given how voraciously he drew from art history, I like to think that he would have been glad to be in the rich company of the museum’s collections.”
The exhibition will be accompanied by an illustrated catalog of essays and archival material copublished by Prestel, with original texts by Tina M. Campt, Wells Fray-Smith, Paola Malavassi, Eleanor Nairne, and Claudia Rankine. Additional contributors include Dawoud Bey, T. J. Clark, Francesco Clemente, Karon Davis, Marlene Dumas, Helen Molesworth, and Jason Moran.
About Noah Davis
Born in Seattle, Washington, in 1983, Davis had his first painting studio in high school. He briefly studied film and conceptual art at Cooper Union in New York before leaving to pursue his own artistic education. By 2004 he had moved to Los Angeles and was working at the bookshop Art Catalogues, where he could feed his appetite for a wide-reaching history of culture and, in particular, painting. Drawing on the legacy of artists ranging from Caspar David Friedrich to Mark Rothko, Romare Bearden to Kerry James Marshall, he developed a distinctive painterly style—one that engaged deeply with both the histories of representation and abstraction. Davis blended historical and contemporary source material to create images of Black life that are unbound by a specific time or place. Davis passed away in 2015 at age 32 from a rare form of cancer.
About the Philadelphia Art Museum
The Philadelphia Art Museum is a national and international destination for art, but first, we are Philadelphia’s art museum—for all of the many diverse communities of the city. Through our collections, exhibitions, events, educational activities, celebrations, and more, the museum is a storyteller, and we welcome everyone to be part of the story—our doors are wide open. To learn more, go to visitpham.org. Instagram / Facebook / X / Threads / YouTube / TikTok: @visitpham
Davis’s work captures the intricacies of Black life with tenderness and depth, linking personal and collective narratives in ways that profoundly resonate with our times. Arranged chronologically, the exhibition will feature work made from 2007 until his untimely death in 2015, addressing a wide range of subjects, including politics, family histories, mythology, race, architecture, and visual culture. His masterfully constructed paintings—which fluidly move between styles and techniques to alternately depict dreamlike, joyful, melancholic, and even surreal scenes—will be shown alongside his experimental sculptures and works on paper that speak to the conceptual foundations of Davis’s practice.
Davis was deeply invested in the idea that art should be accessible to all. In 2012, he and his wife, fellow artist Karon Davis, cofounded the Underground Museum in the historically Black and Latinx neighborhood of Arlington Heights, Los Angeles. They converted four storefronts into a free cultural center, transforming the parking lot into a garden planted with purple flowers. For a period, Davis used the Underground Museum as a studio, as well as a site for residencies, and an exhibition space, eventually entering into a partnership with the Museum of Contemporary Art (MOCA) to lend works from their collection starting in 2014. By the time of his death, Davis had planned 18 exhibitions for the Underground Museum using MOCA’s collection—the majority of which remain unrealized— motivated by the desire to “change the way people view art, the way they buy art, the way they make art.”
Highlights from the exhibition will include 40 Acres and a Unicorn (2007), a striking blend of fantasy and history; Isis (2009), a portrait of his wife Karon depicted as the Egyptian goddess; Savage Wilds (2012), a series in which Davis cast his gaze upon the complex portrayals of Black subjects on daytime television; and the renowned Pueblo del Rio series (2014), paintings that reimagined one of the oldest, largest, and most architecturally significant public housing developments in Los Angeles.
The exhibition is curated by Eleanor Nairne, Keith L. and Katherine Sachs Curator for Modern and Contemporary Art and Head of Department at the Philadelphia Art Museum and former Barbican Senior Curator, and Wells Fray-Smith, Curator, Barbican.
“On every encounter, I am struck again by the potency of Noah Davis’s work and it is an honor to share his practice with audiences in Philadelphia,” said Nairne. “Given how voraciously he drew from art history, I like to think that he would have been glad to be in the rich company of the museum’s collections.”
The exhibition will be accompanied by an illustrated catalog of essays and archival material copublished by Prestel, with original texts by Tina M. Campt, Wells Fray-Smith, Paola Malavassi, Eleanor Nairne, and Claudia Rankine. Additional contributors include Dawoud Bey, T. J. Clark, Francesco Clemente, Karon Davis, Marlene Dumas, Helen Molesworth, and Jason Moran.
About Noah Davis
Born in Seattle, Washington, in 1983, Davis had his first painting studio in high school. He briefly studied film and conceptual art at Cooper Union in New York before leaving to pursue his own artistic education. By 2004 he had moved to Los Angeles and was working at the bookshop Art Catalogues, where he could feed his appetite for a wide-reaching history of culture and, in particular, painting. Drawing on the legacy of artists ranging from Caspar David Friedrich to Mark Rothko, Romare Bearden to Kerry James Marshall, he developed a distinctive painterly style—one that engaged deeply with both the histories of representation and abstraction. Davis blended historical and contemporary source material to create images of Black life that are unbound by a specific time or place. Davis passed away in 2015 at age 32 from a rare form of cancer.
About the Philadelphia Art Museum
The Philadelphia Art Museum is a national and international destination for art, but first, we are Philadelphia’s art museum—for all of the many diverse communities of the city. Through our collections, exhibitions, events, educational activities, celebrations, and more, the museum is a storyteller, and we welcome everyone to be part of the story—our doors are wide open. To learn more, go to visitpham.org. Instagram / Facebook / X / Threads / YouTube / TikTok: @visitpham
Saturday, February 14, 2026
Travelore News: Ritz Carlton Owner Selling NYC And Washington D.C. Properties
The owner of several Ritz‑Carlton properties is moving ahead with plans to sell its flagship hotels in New York City and Washington, D.C., marking one of the most notable luxury‑hotel shakeups of the year.
Ritz Carlton Central Park
Real estate investment firm Westbrook Partners has already completed the sale of The Ritz‑Carlton New York, Central Park to Miami‑based hospitality investor Gencom. Meanwhile, the firm is close to finalizing a deal to sell The Ritz‑Carlton Washington, D.C. to Trinity Investments, another major player in high‑end hotel acquisitions.
The transactions highlight continued investor appetite for luxury urban hotels, even as the broader commercial real estate market faces pressure. Ritz‑Carlton will continue to manage both properties under long‑term agreements, meaning guests should expect brand continuity despite the ownership change.
Industry analysts say the sales reflect a strategic portfolio shift by Westbrook and a growing trend of capital flowing into iconic, well‑located hospitality assets
Ritz Carlton Central Park
Real estate investment firm Westbrook Partners has already completed the sale of The Ritz‑Carlton New York, Central Park to Miami‑based hospitality investor Gencom. Meanwhile, the firm is close to finalizing a deal to sell The Ritz‑Carlton Washington, D.C. to Trinity Investments, another major player in high‑end hotel acquisitions.
The transactions highlight continued investor appetite for luxury urban hotels, even as the broader commercial real estate market faces pressure. Ritz‑Carlton will continue to manage both properties under long‑term agreements, meaning guests should expect brand continuity despite the ownership change.
Industry analysts say the sales reflect a strategic portfolio shift by Westbrook and a growing trend of capital flowing into iconic, well‑located hospitality assets
Friday, February 13, 2026
Did You Know There Is A Full-Size Parthenon In Nashville, Tennessee?
We all know that the Parthenon is Greece’s most iconic monument, but imagine stumbling upon this majestic site, not amidst the ancient ruins of Athens, Greece but in the vibrant heart of Nashville, Tennessee.
The Nashville Parthenon, a tribute to classical Greek architecture in Centennial Park, Nashville, Tennessee. Credit: John LaGuardia, Wikimedia Commons, CC BY-SA 4.0
This unexpected twist is no miracle but a full-scale, meticulously crafted replica of one of history’s most iconic structures. The Nashville Parthenon lies at the heart of the city’s centennial park. It is a true testament to the city’s rich cultural heritage and the real proof of its nickname, “the Athens of the South.”
Originally constructed for the Tennessee Centennial Exposition in 1897, the replica of the Parthenon bridges the ancient with the modern world. However, it is more than that. It is an active link that connects the two sides of the Atlantic, attesting the friendship of the Americans and Greeks to this day. This is the reason why it is worth exploring the history, architectural elements, and cultural impact of this US landmark that brings a glimpse of Greece to the heart of Tennessee.
The origins of Nashville’s Parthenon, a centennial monument
This promotional calendar from 1897 featured various buildings each month, including this colorful drawing of the Parthenon. Tennessee Centennial Exposition. Credit- Saraeileen89 – CC BY-SA 40
The Nashville Parthenon’s story began in 1897. The monument was originally constructed as a temporary feature for the Tennessee Centennial Exposition. It was the time when Tennessee was celebrating the 100th anniversary of its entry to the Union. The purpose of this replica was to embody Nashville’s cultural identity as the “Athens of the South.”
This was a clear nod to the city’s commitment and dedication to education, art, and philosophy. The monument of Nashville was initially built from plaster, wood, and brick. This, of course, comes as a stark contrast to the original Parthenon that dominates the skyline of Athens, Greece.
The ancient Greeks built the original Parthenon at the top of the Acropolis using the finest Greek marble, and it has endured centuries of wear. Captivating the public’s imagination and soon becoming an iconic landmark of the city, it was decided that the structure would be reconstructed in concrete in Nashville, as so happened in the 1920s. This ensured that it would stay there as a monument to Classical beauty and an educational tool for future generations.
Architectural marvels of Nashville’s Parthenon, a tribute to Greece
Its creators aimed to faithfully re-create its ancient predecessor. This is why the Nashville Parthenon features detailed replicas of the original Greek sculptures and designs. From the Doric columns that go around the building to the intricate friezes that adorn its facade, every aspect of the architecture aims to offer an authentic experience of Greek harmony and beauty.
For this reason, the Parthenon in Nashville is a building that serves two main goals. It is not only a testament to ancient Greece but also an example of the American craftsmanship and architectural knowledge of the late 19th century. This is what makes this replica unique—the blend of ancient inspiration with modern techniques of execution.
The majestic Athena Parthenos statue
Statue of Greek goddess Athena in Nashville’s Parthenon. Credit: wikimedia commons / Michael Rivera CC BY 4.0
Unlike the real ruins of the Parthenon in Greece, central to Nashville’s replica is the Athena Parthenos statue. This is a towering re-creation of Phidias‘ original masterpiece that was dominating the temple during ancient times. Standing at 42 feet (12.8 meters) in height, the modern Athena statue was crafted meticulously. Its creators paid keen attention to historical accuracy and detail, as they tried to recreate one of the most beautiful statues of the ancient Greek world.
This is why the replica of the statue was completed with gold leaves and intricate carvings. The statue was not created at the same time with the building. It was only completed in 1990. The decision of the local authorities to add the statue was taken because they wanted to enhance the authenticity of the Parthenon experience. The statue represents Athena, the ancient Greek goddess of wisdom and warfare, in a form that would be very familiar to ancient Athenians.
Art and exhibitions at Nashville Parthenon
Obviously, the architectural splendor of this monument is not the only reason one should visit. The Nashville Parthenon functions today as a vibrant museum for the entire state of Tennessee, as it houses a rich collection of American art. The Cowan Collection, for example, featuring works from the 19th and 20th centuries, offers visitors a glimpse into America’s artistic heritage.
Additionally, the Parthenon’s temporary exhibits span a wide range of themes and periods. They include exhibits from contemporary art all the way to historical retrospectives. This enriches Nashville’s cultural landscape, offering its visitors much more than one could have imagined. These exhibits also highlight the versatility of the Parthenon as a cultural institution. It is why the Parthenon of Nashville is a true gift to its locals. It promotes art education and cultural appreciation in the best possible venue.
The Nashville Parthenon’s role in community and education
It is evident that the Nashville Parthenon is a true landmark and a cultural and educational hub. It always hosts various programs that engage the local community and its visitors alike. From art classes to lectures about local and international history, it offers valuable educational experiences to thousands of people every year.
One could justifiably say that the Nashville Parthenon is more than just a replica; it is a living museum. Certainly, it is a bridge that connects the United States with Greece and its timeless cultures. Furthermore, it is a testament to the timeless appeal of Classical Greek architecture and beauty. Honestly, the Nashville Parthenon is a real piece of Greece in the heart of modern America.
https://greekreporter.com/author/nick/
The Nashville Parthenon, a tribute to classical Greek architecture in Centennial Park, Nashville, Tennessee. Credit: John LaGuardia, Wikimedia Commons, CC BY-SA 4.0
This unexpected twist is no miracle but a full-scale, meticulously crafted replica of one of history’s most iconic structures. The Nashville Parthenon lies at the heart of the city’s centennial park. It is a true testament to the city’s rich cultural heritage and the real proof of its nickname, “the Athens of the South.”
Originally constructed for the Tennessee Centennial Exposition in 1897, the replica of the Parthenon bridges the ancient with the modern world. However, it is more than that. It is an active link that connects the two sides of the Atlantic, attesting the friendship of the Americans and Greeks to this day. This is the reason why it is worth exploring the history, architectural elements, and cultural impact of this US landmark that brings a glimpse of Greece to the heart of Tennessee.
The origins of Nashville’s Parthenon, a centennial monument
This promotional calendar from 1897 featured various buildings each month, including this colorful drawing of the Parthenon. Tennessee Centennial Exposition. Credit- Saraeileen89 – CC BY-SA 40
The Nashville Parthenon’s story began in 1897. The monument was originally constructed as a temporary feature for the Tennessee Centennial Exposition. It was the time when Tennessee was celebrating the 100th anniversary of its entry to the Union. The purpose of this replica was to embody Nashville’s cultural identity as the “Athens of the South.”
This was a clear nod to the city’s commitment and dedication to education, art, and philosophy. The monument of Nashville was initially built from plaster, wood, and brick. This, of course, comes as a stark contrast to the original Parthenon that dominates the skyline of Athens, Greece.
The ancient Greeks built the original Parthenon at the top of the Acropolis using the finest Greek marble, and it has endured centuries of wear. Captivating the public’s imagination and soon becoming an iconic landmark of the city, it was decided that the structure would be reconstructed in concrete in Nashville, as so happened in the 1920s. This ensured that it would stay there as a monument to Classical beauty and an educational tool for future generations.
Architectural marvels of Nashville’s Parthenon, a tribute to Greece
Its creators aimed to faithfully re-create its ancient predecessor. This is why the Nashville Parthenon features detailed replicas of the original Greek sculptures and designs. From the Doric columns that go around the building to the intricate friezes that adorn its facade, every aspect of the architecture aims to offer an authentic experience of Greek harmony and beauty.
For this reason, the Parthenon in Nashville is a building that serves two main goals. It is not only a testament to ancient Greece but also an example of the American craftsmanship and architectural knowledge of the late 19th century. This is what makes this replica unique—the blend of ancient inspiration with modern techniques of execution.
The majestic Athena Parthenos statue
Statue of Greek goddess Athena in Nashville’s Parthenon. Credit: wikimedia commons / Michael Rivera CC BY 4.0
Unlike the real ruins of the Parthenon in Greece, central to Nashville’s replica is the Athena Parthenos statue. This is a towering re-creation of Phidias‘ original masterpiece that was dominating the temple during ancient times. Standing at 42 feet (12.8 meters) in height, the modern Athena statue was crafted meticulously. Its creators paid keen attention to historical accuracy and detail, as they tried to recreate one of the most beautiful statues of the ancient Greek world.
This is why the replica of the statue was completed with gold leaves and intricate carvings. The statue was not created at the same time with the building. It was only completed in 1990. The decision of the local authorities to add the statue was taken because they wanted to enhance the authenticity of the Parthenon experience. The statue represents Athena, the ancient Greek goddess of wisdom and warfare, in a form that would be very familiar to ancient Athenians.
Art and exhibitions at Nashville Parthenon
Obviously, the architectural splendor of this monument is not the only reason one should visit. The Nashville Parthenon functions today as a vibrant museum for the entire state of Tennessee, as it houses a rich collection of American art. The Cowan Collection, for example, featuring works from the 19th and 20th centuries, offers visitors a glimpse into America’s artistic heritage.
Additionally, the Parthenon’s temporary exhibits span a wide range of themes and periods. They include exhibits from contemporary art all the way to historical retrospectives. This enriches Nashville’s cultural landscape, offering its visitors much more than one could have imagined. These exhibits also highlight the versatility of the Parthenon as a cultural institution. It is why the Parthenon of Nashville is a true gift to its locals. It promotes art education and cultural appreciation in the best possible venue.
The Nashville Parthenon’s role in community and education
It is evident that the Nashville Parthenon is a true landmark and a cultural and educational hub. It always hosts various programs that engage the local community and its visitors alike. From art classes to lectures about local and international history, it offers valuable educational experiences to thousands of people every year.
One could justifiably say that the Nashville Parthenon is more than just a replica; it is a living museum. Certainly, it is a bridge that connects the United States with Greece and its timeless cultures. Furthermore, it is a testament to the timeless appeal of Classical Greek architecture and beauty. Honestly, the Nashville Parthenon is a real piece of Greece in the heart of modern America.
https://greekreporter.com/author/nick/
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