A quiet ripple just rolled through the travel world—and if you’re a fan of sun‑splashed beaches, sprawling all‑inclusive resorts, or maximizing your loyalty points, this one’s worth paying attention to. Bahia Principe Hotels & Resorts, known for its Caribbean‑forward portfolio and generous all‑inclusive offerings, is officially joining World of Hyatt.
For many travelers, this partnership feels like two complementary worlds finally meeting: Hyatt’s global loyalty ecosystem and Bahia Principe’s beloved beachfront escapes.
Let’s break down why this matters and what it means for your next getaway.
A Big Win for All‑Inclusive Fans
Bahia Principe has long been a favorite for travelers seeking value-packed vacations across Mexico, the Dominican Republic, Jamaica, and Spain. Their properties range from family‑friendly mega‑resorts to adults‑only hideaways, all built around the idea that vacation should feel effortless.
By joining World of Hyatt, these resorts are stepping into a loyalty program known for its flexibility, elite benefits, and global reach. For Hyatt loyalists, this means something simple but exciting: more places to earn and redeem points—many of them on some of the world’s most beautiful coastlines.
What World of Hyatt Members Can Expect
While full integration details will roll out in phases, here’s what travelers can look forward to:
More All‑Inclusive Choice
Hyatt has been steadily expanding its all‑inclusive footprint, and Bahia Principe adds dozens of new options across the Caribbean and Europe. Think beachfront suites, sprawling pools, and endless dining—all bookable with points.
Earning & Redeeming Points
Once integration is complete, members will be able to earn World of Hyatt points on stays and redeem them for free nights at participating Bahia Principe properties. For anyone who loves stretching points for maximum value, all‑inclusive resorts are often a sweet spot.
Hyatt’s elite members may see perks like room upgrades, premium check‑in, or other on‑property benefits. The specifics will depend on how each resort aligns with Hyatt’s all‑inclusive brand structure, but the potential is promising.
Why This Partnership Makes Sense
Travelers today want flexibility—more destinations, more styles of travel, and more ways to use their loyalty rewards. Hyatt has been leaning into this trend, especially with its growing Inclusive Collection. Bahia Principe brings:
• Strong presence in the Caribbean, especially the Dominican Republic and Riviera Maya
• A loyal guest base that values affordability without sacrificing experience
• A diverse portfolio, from family‑centric resorts to adults‑only escapes
For Bahia Principe, joining World of Hyatt opens the door to millions of new travelers who may not have considered the brand before.
This partnership is a win for travelers who love sun, sand, and simplicity. Whether you’re a Hyatt loyalist looking to expand your horizons or a Bahia Principe regular curious about loyalty perks, the future looks bright
Travelore Report, Monthly In Print Since 1971
Monday, February 16, 2026
Sunday, February 15, 2026
Noah Davis January 24–April 26, 2026 At The Philadelphia Museum Of Art
The Philadelphia Art Museum announces a landmark survey of the late American artist Noah Davis (1983–2015). Bringing together over 60 works, this exhibition will chart Davis’s practice across painting, sculpture, works on paper, and curating, marking the final stop on an international tour organized with DAS MINSK in Potsdam, the Barbican in London, and the Hammer Museum in Los Angeles.
Davis’s work captures the intricacies of Black life with tenderness and depth, linking personal and collective narratives in ways that profoundly resonate with our times. Arranged chronologically, the exhibition will feature work made from 2007 until his untimely death in 2015, addressing a wide range of subjects, including politics, family histories, mythology, race, architecture, and visual culture. His masterfully constructed paintings—which fluidly move between styles and techniques to alternately depict dreamlike, joyful, melancholic, and even surreal scenes—will be shown alongside his experimental sculptures and works on paper that speak to the conceptual foundations of Davis’s practice.
Davis was deeply invested in the idea that art should be accessible to all. In 2012, he and his wife, fellow artist Karon Davis, cofounded the Underground Museum in the historically Black and Latinx neighborhood of Arlington Heights, Los Angeles. They converted four storefronts into a free cultural center, transforming the parking lot into a garden planted with purple flowers. For a period, Davis used the Underground Museum as a studio, as well as a site for residencies, and an exhibition space, eventually entering into a partnership with the Museum of Contemporary Art (MOCA) to lend works from their collection starting in 2014. By the time of his death, Davis had planned 18 exhibitions for the Underground Museum using MOCA’s collection—the majority of which remain unrealized— motivated by the desire to “change the way people view art, the way they buy art, the way they make art.”
Highlights from the exhibition will include 40 Acres and a Unicorn (2007), a striking blend of fantasy and history; Isis (2009), a portrait of his wife Karon depicted as the Egyptian goddess; Savage Wilds (2012), a series in which Davis cast his gaze upon the complex portrayals of Black subjects on daytime television; and the renowned Pueblo del Rio series (2014), paintings that reimagined one of the oldest, largest, and most architecturally significant public housing developments in Los Angeles.
The exhibition is curated by Eleanor Nairne, Keith L. and Katherine Sachs Curator for Modern and Contemporary Art and Head of Department at the Philadelphia Art Museum and former Barbican Senior Curator, and Wells Fray-Smith, Curator, Barbican.
“On every encounter, I am struck again by the potency of Noah Davis’s work and it is an honor to share his practice with audiences in Philadelphia,” said Nairne. “Given how voraciously he drew from art history, I like to think that he would have been glad to be in the rich company of the museum’s collections.”
The exhibition will be accompanied by an illustrated catalog of essays and archival material copublished by Prestel, with original texts by Tina M. Campt, Wells Fray-Smith, Paola Malavassi, Eleanor Nairne, and Claudia Rankine. Additional contributors include Dawoud Bey, T. J. Clark, Francesco Clemente, Karon Davis, Marlene Dumas, Helen Molesworth, and Jason Moran.
About Noah Davis
Born in Seattle, Washington, in 1983, Davis had his first painting studio in high school. He briefly studied film and conceptual art at Cooper Union in New York before leaving to pursue his own artistic education. By 2004 he had moved to Los Angeles and was working at the bookshop Art Catalogues, where he could feed his appetite for a wide-reaching history of culture and, in particular, painting. Drawing on the legacy of artists ranging from Caspar David Friedrich to Mark Rothko, Romare Bearden to Kerry James Marshall, he developed a distinctive painterly style—one that engaged deeply with both the histories of representation and abstraction. Davis blended historical and contemporary source material to create images of Black life that are unbound by a specific time or place. Davis passed away in 2015 at age 32 from a rare form of cancer.
About the Philadelphia Art Museum
The Philadelphia Art Museum is a national and international destination for art, but first, we are Philadelphia’s art museum—for all of the many diverse communities of the city. Through our collections, exhibitions, events, educational activities, celebrations, and more, the museum is a storyteller, and we welcome everyone to be part of the story—our doors are wide open. To learn more, go to visitpham.org. Instagram / Facebook / X / Threads / YouTube / TikTok: @visitpham
Davis’s work captures the intricacies of Black life with tenderness and depth, linking personal and collective narratives in ways that profoundly resonate with our times. Arranged chronologically, the exhibition will feature work made from 2007 until his untimely death in 2015, addressing a wide range of subjects, including politics, family histories, mythology, race, architecture, and visual culture. His masterfully constructed paintings—which fluidly move between styles and techniques to alternately depict dreamlike, joyful, melancholic, and even surreal scenes—will be shown alongside his experimental sculptures and works on paper that speak to the conceptual foundations of Davis’s practice.
Davis was deeply invested in the idea that art should be accessible to all. In 2012, he and his wife, fellow artist Karon Davis, cofounded the Underground Museum in the historically Black and Latinx neighborhood of Arlington Heights, Los Angeles. They converted four storefronts into a free cultural center, transforming the parking lot into a garden planted with purple flowers. For a period, Davis used the Underground Museum as a studio, as well as a site for residencies, and an exhibition space, eventually entering into a partnership with the Museum of Contemporary Art (MOCA) to lend works from their collection starting in 2014. By the time of his death, Davis had planned 18 exhibitions for the Underground Museum using MOCA’s collection—the majority of which remain unrealized— motivated by the desire to “change the way people view art, the way they buy art, the way they make art.”
Highlights from the exhibition will include 40 Acres and a Unicorn (2007), a striking blend of fantasy and history; Isis (2009), a portrait of his wife Karon depicted as the Egyptian goddess; Savage Wilds (2012), a series in which Davis cast his gaze upon the complex portrayals of Black subjects on daytime television; and the renowned Pueblo del Rio series (2014), paintings that reimagined one of the oldest, largest, and most architecturally significant public housing developments in Los Angeles.
The exhibition is curated by Eleanor Nairne, Keith L. and Katherine Sachs Curator for Modern and Contemporary Art and Head of Department at the Philadelphia Art Museum and former Barbican Senior Curator, and Wells Fray-Smith, Curator, Barbican.
“On every encounter, I am struck again by the potency of Noah Davis’s work and it is an honor to share his practice with audiences in Philadelphia,” said Nairne. “Given how voraciously he drew from art history, I like to think that he would have been glad to be in the rich company of the museum’s collections.”
The exhibition will be accompanied by an illustrated catalog of essays and archival material copublished by Prestel, with original texts by Tina M. Campt, Wells Fray-Smith, Paola Malavassi, Eleanor Nairne, and Claudia Rankine. Additional contributors include Dawoud Bey, T. J. Clark, Francesco Clemente, Karon Davis, Marlene Dumas, Helen Molesworth, and Jason Moran.
About Noah Davis
Born in Seattle, Washington, in 1983, Davis had his first painting studio in high school. He briefly studied film and conceptual art at Cooper Union in New York before leaving to pursue his own artistic education. By 2004 he had moved to Los Angeles and was working at the bookshop Art Catalogues, where he could feed his appetite for a wide-reaching history of culture and, in particular, painting. Drawing on the legacy of artists ranging from Caspar David Friedrich to Mark Rothko, Romare Bearden to Kerry James Marshall, he developed a distinctive painterly style—one that engaged deeply with both the histories of representation and abstraction. Davis blended historical and contemporary source material to create images of Black life that are unbound by a specific time or place. Davis passed away in 2015 at age 32 from a rare form of cancer.
About the Philadelphia Art Museum
The Philadelphia Art Museum is a national and international destination for art, but first, we are Philadelphia’s art museum—for all of the many diverse communities of the city. Through our collections, exhibitions, events, educational activities, celebrations, and more, the museum is a storyteller, and we welcome everyone to be part of the story—our doors are wide open. To learn more, go to visitpham.org. Instagram / Facebook / X / Threads / YouTube / TikTok: @visitpham
Saturday, February 14, 2026
Travelore News: Ritz Carlton Owner Selling NYC And Washington D.C. Properties
The owner of several Ritz‑Carlton properties is moving ahead with plans to sell its flagship hotels in New York City and Washington, D.C., marking one of the most notable luxury‑hotel shakeups of the year.
Ritz Carlton Central Park
Real estate investment firm Westbrook Partners has already completed the sale of The Ritz‑Carlton New York, Central Park to Miami‑based hospitality investor Gencom. Meanwhile, the firm is close to finalizing a deal to sell The Ritz‑Carlton Washington, D.C. to Trinity Investments, another major player in high‑end hotel acquisitions.
The transactions highlight continued investor appetite for luxury urban hotels, even as the broader commercial real estate market faces pressure. Ritz‑Carlton will continue to manage both properties under long‑term agreements, meaning guests should expect brand continuity despite the ownership change.
Industry analysts say the sales reflect a strategic portfolio shift by Westbrook and a growing trend of capital flowing into iconic, well‑located hospitality assets
Ritz Carlton Central Park
Real estate investment firm Westbrook Partners has already completed the sale of The Ritz‑Carlton New York, Central Park to Miami‑based hospitality investor Gencom. Meanwhile, the firm is close to finalizing a deal to sell The Ritz‑Carlton Washington, D.C. to Trinity Investments, another major player in high‑end hotel acquisitions.
The transactions highlight continued investor appetite for luxury urban hotels, even as the broader commercial real estate market faces pressure. Ritz‑Carlton will continue to manage both properties under long‑term agreements, meaning guests should expect brand continuity despite the ownership change.
Industry analysts say the sales reflect a strategic portfolio shift by Westbrook and a growing trend of capital flowing into iconic, well‑located hospitality assets
Friday, February 13, 2026
Did You Know There Is A Full-Size Parthenon In Nashville, Tennessee?
We all know that the Parthenon is Greece’s most iconic monument, but imagine stumbling upon this majestic site, not amidst the ancient ruins of Athens, Greece but in the vibrant heart of Nashville, Tennessee.
The Nashville Parthenon, a tribute to classical Greek architecture in Centennial Park, Nashville, Tennessee. Credit: John LaGuardia, Wikimedia Commons, CC BY-SA 4.0
This unexpected twist is no miracle but a full-scale, meticulously crafted replica of one of history’s most iconic structures. The Nashville Parthenon lies at the heart of the city’s centennial park. It is a true testament to the city’s rich cultural heritage and the real proof of its nickname, “the Athens of the South.”
Originally constructed for the Tennessee Centennial Exposition in 1897, the replica of the Parthenon bridges the ancient with the modern world. However, it is more than that. It is an active link that connects the two sides of the Atlantic, attesting the friendship of the Americans and Greeks to this day. This is the reason why it is worth exploring the history, architectural elements, and cultural impact of this US landmark that brings a glimpse of Greece to the heart of Tennessee.
The origins of Nashville’s Parthenon, a centennial monument
This promotional calendar from 1897 featured various buildings each month, including this colorful drawing of the Parthenon. Tennessee Centennial Exposition. Credit- Saraeileen89 – CC BY-SA 40
The Nashville Parthenon’s story began in 1897. The monument was originally constructed as a temporary feature for the Tennessee Centennial Exposition. It was the time when Tennessee was celebrating the 100th anniversary of its entry to the Union. The purpose of this replica was to embody Nashville’s cultural identity as the “Athens of the South.”
This was a clear nod to the city’s commitment and dedication to education, art, and philosophy. The monument of Nashville was initially built from plaster, wood, and brick. This, of course, comes as a stark contrast to the original Parthenon that dominates the skyline of Athens, Greece.
The ancient Greeks built the original Parthenon at the top of the Acropolis using the finest Greek marble, and it has endured centuries of wear. Captivating the public’s imagination and soon becoming an iconic landmark of the city, it was decided that the structure would be reconstructed in concrete in Nashville, as so happened in the 1920s. This ensured that it would stay there as a monument to Classical beauty and an educational tool for future generations.
Architectural marvels of Nashville’s Parthenon, a tribute to Greece
Its creators aimed to faithfully re-create its ancient predecessor. This is why the Nashville Parthenon features detailed replicas of the original Greek sculptures and designs. From the Doric columns that go around the building to the intricate friezes that adorn its facade, every aspect of the architecture aims to offer an authentic experience of Greek harmony and beauty.
For this reason, the Parthenon in Nashville is a building that serves two main goals. It is not only a testament to ancient Greece but also an example of the American craftsmanship and architectural knowledge of the late 19th century. This is what makes this replica unique—the blend of ancient inspiration with modern techniques of execution.
The majestic Athena Parthenos statue
Statue of Greek goddess Athena in Nashville’s Parthenon. Credit: wikimedia commons / Michael Rivera CC BY 4.0
Unlike the real ruins of the Parthenon in Greece, central to Nashville’s replica is the Athena Parthenos statue. This is a towering re-creation of Phidias‘ original masterpiece that was dominating the temple during ancient times. Standing at 42 feet (12.8 meters) in height, the modern Athena statue was crafted meticulously. Its creators paid keen attention to historical accuracy and detail, as they tried to recreate one of the most beautiful statues of the ancient Greek world.
This is why the replica of the statue was completed with gold leaves and intricate carvings. The statue was not created at the same time with the building. It was only completed in 1990. The decision of the local authorities to add the statue was taken because they wanted to enhance the authenticity of the Parthenon experience. The statue represents Athena, the ancient Greek goddess of wisdom and warfare, in a form that would be very familiar to ancient Athenians.
Art and exhibitions at Nashville Parthenon
Obviously, the architectural splendor of this monument is not the only reason one should visit. The Nashville Parthenon functions today as a vibrant museum for the entire state of Tennessee, as it houses a rich collection of American art. The Cowan Collection, for example, featuring works from the 19th and 20th centuries, offers visitors a glimpse into America’s artistic heritage.
Additionally, the Parthenon’s temporary exhibits span a wide range of themes and periods. They include exhibits from contemporary art all the way to historical retrospectives. This enriches Nashville’s cultural landscape, offering its visitors much more than one could have imagined. These exhibits also highlight the versatility of the Parthenon as a cultural institution. It is why the Parthenon of Nashville is a true gift to its locals. It promotes art education and cultural appreciation in the best possible venue.
The Nashville Parthenon’s role in community and education
It is evident that the Nashville Parthenon is a true landmark and a cultural and educational hub. It always hosts various programs that engage the local community and its visitors alike. From art classes to lectures about local and international history, it offers valuable educational experiences to thousands of people every year.
One could justifiably say that the Nashville Parthenon is more than just a replica; it is a living museum. Certainly, it is a bridge that connects the United States with Greece and its timeless cultures. Furthermore, it is a testament to the timeless appeal of Classical Greek architecture and beauty. Honestly, the Nashville Parthenon is a real piece of Greece in the heart of modern America.
https://greekreporter.com/author/nick/
The Nashville Parthenon, a tribute to classical Greek architecture in Centennial Park, Nashville, Tennessee. Credit: John LaGuardia, Wikimedia Commons, CC BY-SA 4.0
This unexpected twist is no miracle but a full-scale, meticulously crafted replica of one of history’s most iconic structures. The Nashville Parthenon lies at the heart of the city’s centennial park. It is a true testament to the city’s rich cultural heritage and the real proof of its nickname, “the Athens of the South.”
Originally constructed for the Tennessee Centennial Exposition in 1897, the replica of the Parthenon bridges the ancient with the modern world. However, it is more than that. It is an active link that connects the two sides of the Atlantic, attesting the friendship of the Americans and Greeks to this day. This is the reason why it is worth exploring the history, architectural elements, and cultural impact of this US landmark that brings a glimpse of Greece to the heart of Tennessee.
The origins of Nashville’s Parthenon, a centennial monument
This promotional calendar from 1897 featured various buildings each month, including this colorful drawing of the Parthenon. Tennessee Centennial Exposition. Credit- Saraeileen89 – CC BY-SA 40
The Nashville Parthenon’s story began in 1897. The monument was originally constructed as a temporary feature for the Tennessee Centennial Exposition. It was the time when Tennessee was celebrating the 100th anniversary of its entry to the Union. The purpose of this replica was to embody Nashville’s cultural identity as the “Athens of the South.”
This was a clear nod to the city’s commitment and dedication to education, art, and philosophy. The monument of Nashville was initially built from plaster, wood, and brick. This, of course, comes as a stark contrast to the original Parthenon that dominates the skyline of Athens, Greece.
The ancient Greeks built the original Parthenon at the top of the Acropolis using the finest Greek marble, and it has endured centuries of wear. Captivating the public’s imagination and soon becoming an iconic landmark of the city, it was decided that the structure would be reconstructed in concrete in Nashville, as so happened in the 1920s. This ensured that it would stay there as a monument to Classical beauty and an educational tool for future generations.
Architectural marvels of Nashville’s Parthenon, a tribute to Greece
Its creators aimed to faithfully re-create its ancient predecessor. This is why the Nashville Parthenon features detailed replicas of the original Greek sculptures and designs. From the Doric columns that go around the building to the intricate friezes that adorn its facade, every aspect of the architecture aims to offer an authentic experience of Greek harmony and beauty.
For this reason, the Parthenon in Nashville is a building that serves two main goals. It is not only a testament to ancient Greece but also an example of the American craftsmanship and architectural knowledge of the late 19th century. This is what makes this replica unique—the blend of ancient inspiration with modern techniques of execution.
The majestic Athena Parthenos statue
Statue of Greek goddess Athena in Nashville’s Parthenon. Credit: wikimedia commons / Michael Rivera CC BY 4.0
Unlike the real ruins of the Parthenon in Greece, central to Nashville’s replica is the Athena Parthenos statue. This is a towering re-creation of Phidias‘ original masterpiece that was dominating the temple during ancient times. Standing at 42 feet (12.8 meters) in height, the modern Athena statue was crafted meticulously. Its creators paid keen attention to historical accuracy and detail, as they tried to recreate one of the most beautiful statues of the ancient Greek world.
This is why the replica of the statue was completed with gold leaves and intricate carvings. The statue was not created at the same time with the building. It was only completed in 1990. The decision of the local authorities to add the statue was taken because they wanted to enhance the authenticity of the Parthenon experience. The statue represents Athena, the ancient Greek goddess of wisdom and warfare, in a form that would be very familiar to ancient Athenians.
Art and exhibitions at Nashville Parthenon
Obviously, the architectural splendor of this monument is not the only reason one should visit. The Nashville Parthenon functions today as a vibrant museum for the entire state of Tennessee, as it houses a rich collection of American art. The Cowan Collection, for example, featuring works from the 19th and 20th centuries, offers visitors a glimpse into America’s artistic heritage.
Additionally, the Parthenon’s temporary exhibits span a wide range of themes and periods. They include exhibits from contemporary art all the way to historical retrospectives. This enriches Nashville’s cultural landscape, offering its visitors much more than one could have imagined. These exhibits also highlight the versatility of the Parthenon as a cultural institution. It is why the Parthenon of Nashville is a true gift to its locals. It promotes art education and cultural appreciation in the best possible venue.
The Nashville Parthenon’s role in community and education
It is evident that the Nashville Parthenon is a true landmark and a cultural and educational hub. It always hosts various programs that engage the local community and its visitors alike. From art classes to lectures about local and international history, it offers valuable educational experiences to thousands of people every year.
One could justifiably say that the Nashville Parthenon is more than just a replica; it is a living museum. Certainly, it is a bridge that connects the United States with Greece and its timeless cultures. Furthermore, it is a testament to the timeless appeal of Classical Greek architecture and beauty. Honestly, the Nashville Parthenon is a real piece of Greece in the heart of modern America.
https://greekreporter.com/author/nick/
Thursday, February 12, 2026
“Taste Hong Kong,” A Chef-Curated Gourmet Guide To The City’s True Culinary Soul
More than 50 master chefs handpick 250 restaurants to showcase the authentic flavours of Hong Kong’s neighbourhoods.
Hong Kong’s longstanding reputation as one of the world’s great food cities has been built on contrast — a destination where humble street stalls sit comfortably alongside polished Michelin-starred dining rooms, and where “Great Taste” can be found everywhere in Hong Kong. This season, the Hong Kong Tourism Board (HKTB) celebrates the city’s rich culinary culture with the launch of Taste Hong Kong, a new gourmet guide developed in collaboration with the Chinese Culinary Institute (CCI) that invites visitors to experience the city through the eyes — and appetites — of its master chefs.
Taste Hong Kong is a chef-curated culinary guide to the city’s diverse neighbourhoods. More than 50 master chefs — all graduates of CCI’s prestigious Master Chef Course in Chinese Cuisine — have collectively handpicked 250 restaurants throughout Hong Kong, shining a spotlight on the places they return to time and again. The guide offers a comprehensive and refined overview of the city’s culinary landscape, highlighting a rich tapestry of Chinese cuisines alongside an array of international flavours, from traditional noodle shops and classic dessert parlours to family run local gems, artisanal cafés, upscale hotel restaurants, and Michelin-starred fine dining destinations. Going beyond conventional rankings and accolades, the guide provides an authoritative, insider perspective on the city’s most authentic and distinctive gastronomic experiences.
At the heart of Taste Hong Kong are the chefs themselves. As the creative minds behind some of Hong Kong’s most celebrated dining rooms, they bring a rare perspective on what defines a great meal — and what makes a restaurant endure. Among them are acclaimed figures such as Adam Wong and Lee Man-sing, who have each contributed personal recommendations that reflect both their culinary roots and their deep connection to Hong Kong’s dining culture.
“When I think about Hong Kong food, I think about the neighbourhood places I always go back to — dai pai dongs, cha chaan tengs and small restaurants that define the city’s everyday dining culture. These spots reflect how locals really eat and the city’s culinary soul. I am excited to be part of this guide because it gives visitors a genuine way to experience Hong Kong through the food and neighbourhoods that locals know and love,” says Adam Wong, a 3-star Michelin Executive Chef at the Forum Restaurant.
“I have always believed that some of Hong Kong’s best food is found in the simplest settings, whether it’s a comforting bowl of noodles or hot pot shared with friends. The restaurants highlighted in Taste Hong Kong are places with history, consistency and heart. They show why Hong Kong is one of the world’s most exciting cities to eat in,” says Lee Man-sing, Executive Chef of Mott 32 Group.
Designed for both visitors and locals, Taste Hong Kong organises its 250 restaurant picks by neighbourhood. With various neighbourhoods represented, travellers are encouraged to venture beyond well-trodden dining districts and experience the distinctive character of each area. From sizzling woks in bustling street kitchens to quiet neighbourhood favourites passed down through generations, the chefs’ selections offer visitors and locals a deeper insight into Hong Kong’s rich culinary heritage and vibrant diversity, guiding them to the true “Great Taste” of the city.
The guide is supported by a rich suite of digital content, including neighbourhood videos and curated maps, hosted on the campaign’s dedicated website. A downloadable digital edition of the Taste Hong Kong guide will also be available, serving as an easy-to-use companion for planning meals and neighbourhood discovery. QR codes will be displayed at various MTR stations, bus shelters and visitor signage across neighbourhoods. HKTB will also broadcast the “Taste Hong Kong” promotional video at major tourist hotspots, and prominent shopping malls and hotels across the city, reinforcing Hong Kong’s status as a global gourmet capital where exceptional food can be found everywhere — often in the most unexpected places.
To discover the full Taste of Hong Kong guide and begin your culinary adventure, visit tastehk.discoverhongkong.com. Download the digital guide, watch the neighbourhood videos and join the conversation using #TasteHongKong to discover the authentic flavours that define Hong Kong, one neighbourhood at a time.
Source: Hong Kong Tourism Board
Hong Kong’s longstanding reputation as one of the world’s great food cities has been built on contrast — a destination where humble street stalls sit comfortably alongside polished Michelin-starred dining rooms, and where “Great Taste” can be found everywhere in Hong Kong. This season, the Hong Kong Tourism Board (HKTB) celebrates the city’s rich culinary culture with the launch of Taste Hong Kong, a new gourmet guide developed in collaboration with the Chinese Culinary Institute (CCI) that invites visitors to experience the city through the eyes — and appetites — of its master chefs.
Taste Hong Kong is a chef-curated culinary guide to the city’s diverse neighbourhoods. More than 50 master chefs — all graduates of CCI’s prestigious Master Chef Course in Chinese Cuisine — have collectively handpicked 250 restaurants throughout Hong Kong, shining a spotlight on the places they return to time and again. The guide offers a comprehensive and refined overview of the city’s culinary landscape, highlighting a rich tapestry of Chinese cuisines alongside an array of international flavours, from traditional noodle shops and classic dessert parlours to family run local gems, artisanal cafés, upscale hotel restaurants, and Michelin-starred fine dining destinations. Going beyond conventional rankings and accolades, the guide provides an authoritative, insider perspective on the city’s most authentic and distinctive gastronomic experiences.
At the heart of Taste Hong Kong are the chefs themselves. As the creative minds behind some of Hong Kong’s most celebrated dining rooms, they bring a rare perspective on what defines a great meal — and what makes a restaurant endure. Among them are acclaimed figures such as Adam Wong and Lee Man-sing, who have each contributed personal recommendations that reflect both their culinary roots and their deep connection to Hong Kong’s dining culture.
“When I think about Hong Kong food, I think about the neighbourhood places I always go back to — dai pai dongs, cha chaan tengs and small restaurants that define the city’s everyday dining culture. These spots reflect how locals really eat and the city’s culinary soul. I am excited to be part of this guide because it gives visitors a genuine way to experience Hong Kong through the food and neighbourhoods that locals know and love,” says Adam Wong, a 3-star Michelin Executive Chef at the Forum Restaurant.
“I have always believed that some of Hong Kong’s best food is found in the simplest settings, whether it’s a comforting bowl of noodles or hot pot shared with friends. The restaurants highlighted in Taste Hong Kong are places with history, consistency and heart. They show why Hong Kong is one of the world’s most exciting cities to eat in,” says Lee Man-sing, Executive Chef of Mott 32 Group.
Designed for both visitors and locals, Taste Hong Kong organises its 250 restaurant picks by neighbourhood. With various neighbourhoods represented, travellers are encouraged to venture beyond well-trodden dining districts and experience the distinctive character of each area. From sizzling woks in bustling street kitchens to quiet neighbourhood favourites passed down through generations, the chefs’ selections offer visitors and locals a deeper insight into Hong Kong’s rich culinary heritage and vibrant diversity, guiding them to the true “Great Taste” of the city.
The guide is supported by a rich suite of digital content, including neighbourhood videos and curated maps, hosted on the campaign’s dedicated website. A downloadable digital edition of the Taste Hong Kong guide will also be available, serving as an easy-to-use companion for planning meals and neighbourhood discovery. QR codes will be displayed at various MTR stations, bus shelters and visitor signage across neighbourhoods. HKTB will also broadcast the “Taste Hong Kong” promotional video at major tourist hotspots, and prominent shopping malls and hotels across the city, reinforcing Hong Kong’s status as a global gourmet capital where exceptional food can be found everywhere — often in the most unexpected places.
To discover the full Taste of Hong Kong guide and begin your culinary adventure, visit tastehk.discoverhongkong.com. Download the digital guide, watch the neighbourhood videos and join the conversation using #TasteHongKong to discover the authentic flavours that define Hong Kong, one neighbourhood at a time.
Source: Hong Kong Tourism Board
Wednesday, February 11, 2026
You’re Banned From Blocking Trump’s Face On Your National Park Pass—But There’s A Work-Around
These designers found a clever way to keep the president’s mug off their America the Beautiful entry passes.
The 2026 national park pass features a portrait of Donald Trump’s face, and the Department of the Interior (DOI) has threatened to penalize anyone who tries to cover it up. Now, park lovers are inventing their own clever work-arounds to remove the president’s visage from their passes.
For over two decades, the annual America the Beautiful park pass design has featured photography of nature, animals, and scenery across the United States. But when the DOI revealed the 2026 pass in November, something was glaringly different. Rather than a cascading waterfall or towering redwoods, the pass included a portrait of George Washington, framed side by side with Trump’s mug-shot-inspired headshot.
The response to the pass design was swift. Many cardholders took to the internet to show themselves covering Trump’s face with stickers as a form of protest. But mere weeks later, per an internal email obtained by SFGate, the DOI updated its “Void if Altered” policy in a transparent effort to discourage pass holders from covering Trump’s face.
Whereas the policy previously stated that passes could be voided only if the signature section of the card was altered, it now overtly flags stickers and other coverings as alterations that could invalidate the pass. According to a policy document shared with The Washington Post, staff who come across altered passes are instructed to ask that stickers or coverings be removed. If that’s not possible, they’re permitted to either charge the guest with the regular entrance fee or give them the option to buy a brand-new pass.
While the Trump administration is acting quickly to redesign the National Park Service in Trump’s literal image, national parkgoers are quicker. In the days since the pass policy was altered in early January, multiple designers have stepped up with clever work-arounds that conceal the president’s glowering face without running afoul of the restrictions. The simplest solution is a card sleeve that covers Trump’s face most of the time, but can be easily removed when the card is shown at park entrances.
How small designers are fighting back against the DOI
Katie Weber and her husband, Chris, started their Michigan-based apparel brand Dirt Roads Project in March 2025. The company, Weber says, was her way to make a difference after feeling “overwhelmed by everything happening in our country.” So part of each purchase gives back to the preservation of parks and nature, including through collaborations with nonprofits like the Michigan Animal Rescue League, Alliance for the Great Lakes, and Reef Relief.
When Weber saw the park pass design for 2026, she immediately decided to create something that would cover Trump’s face.
“I was incredibly frustrated and wanted to be able to bring the parks front and center instead of showing someone who is honestly trying to dismantle our parks,” Weber says. “That night, I started going through all of our photography from past hiking trips, chose a handful that I loved, and created the design.”
Her final selections, which run for just $6 each, feature photos taken at eight prominent national parks, including Zion in Utah, Haleakalā in Maui, and Yosemite in California. After they launched for preorder around Thanksgiving, Weber says, interest in the stickers has been “growing rapidly.”
Weber specifically engineered the stickers to avoid covering any pertinent information on the cards, including the signature section, holographic strip, and barcode. But in the wake of the DOI’s new sticker ban, she adapted the design to guarantee that users won’t be penalized. Instead of adding the sticker directly to their passes, customers can now purchase a $2 plastic card sleeve from Dirt Roads Project to keep their cards completely unaltered while still obscuring the president’s face.
After the DOI’s new regulations emerged, Weber says Dirt Roads Project has seen “skyrocketing” demand, bringing in over $6,000 from the stickers alone in the first weeks of January. “To me, that shows that this small form of protest is being seen, and that people’s frustration is being heard,” she says.
Other small businesses are similarly using their art to fight back. Mitchell Bowen is a graphic designer who runs a poster company called Recollection Project, pulling inspiration from 1930s illustrations to create posters of national parks and other travel destinations. He designed a $12 card sleeve with one of his illustrations for Grand Teton National Park, featuring two American bison in front of a mountain vista. Interest has been so high, Bowen says, that he’s had to pause new orders to focus on fulfilling his backlog.
“Trump’s crassest, most ego-driven action yet”
Both Weber’s and Bowen’s nature-centric designs call back to the history of the national park pass’s design, which has, by federal law, featured the winning photo of the National Park Foundation’s annual public lands photo contest since 2004. In fact, the DOI and the National Park Service are currently facing a lawsuit from the conservation group Center for Biological Diversity for failing to follow that federal design stipulation on the 2026 card.
In a statement on the lawsuit released on December 10, Kierán Suckling, the center’s executive director, wrote that the new pass design was “Trump’s crassest, most ego-driven action yet.”
“It’s disgusting of Trump to politicize America’s most sacred refuge by pasting his face over the national parks in the same way he slaps his corporate name on buildings, restaurants, and golf courses,” he continued. “The national parks are not a personal branding opportunity. They’re the pride and joy of the American people.”
https://www.fastcompany.com/user/gsnelling
The 2026 national park pass features a portrait of Donald Trump’s face, and the Department of the Interior (DOI) has threatened to penalize anyone who tries to cover it up. Now, park lovers are inventing their own clever work-arounds to remove the president’s visage from their passes.
For over two decades, the annual America the Beautiful park pass design has featured photography of nature, animals, and scenery across the United States. But when the DOI revealed the 2026 pass in November, something was glaringly different. Rather than a cascading waterfall or towering redwoods, the pass included a portrait of George Washington, framed side by side with Trump’s mug-shot-inspired headshot.
The response to the pass design was swift. Many cardholders took to the internet to show themselves covering Trump’s face with stickers as a form of protest. But mere weeks later, per an internal email obtained by SFGate, the DOI updated its “Void if Altered” policy in a transparent effort to discourage pass holders from covering Trump’s face.
Whereas the policy previously stated that passes could be voided only if the signature section of the card was altered, it now overtly flags stickers and other coverings as alterations that could invalidate the pass. According to a policy document shared with The Washington Post, staff who come across altered passes are instructed to ask that stickers or coverings be removed. If that’s not possible, they’re permitted to either charge the guest with the regular entrance fee or give them the option to buy a brand-new pass.
While the Trump administration is acting quickly to redesign the National Park Service in Trump’s literal image, national parkgoers are quicker. In the days since the pass policy was altered in early January, multiple designers have stepped up with clever work-arounds that conceal the president’s glowering face without running afoul of the restrictions. The simplest solution is a card sleeve that covers Trump’s face most of the time, but can be easily removed when the card is shown at park entrances.
How small designers are fighting back against the DOI
Katie Weber and her husband, Chris, started their Michigan-based apparel brand Dirt Roads Project in March 2025. The company, Weber says, was her way to make a difference after feeling “overwhelmed by everything happening in our country.” So part of each purchase gives back to the preservation of parks and nature, including through collaborations with nonprofits like the Michigan Animal Rescue League, Alliance for the Great Lakes, and Reef Relief.
When Weber saw the park pass design for 2026, she immediately decided to create something that would cover Trump’s face.
“I was incredibly frustrated and wanted to be able to bring the parks front and center instead of showing someone who is honestly trying to dismantle our parks,” Weber says. “That night, I started going through all of our photography from past hiking trips, chose a handful that I loved, and created the design.”
Her final selections, which run for just $6 each, feature photos taken at eight prominent national parks, including Zion in Utah, Haleakalā in Maui, and Yosemite in California. After they launched for preorder around Thanksgiving, Weber says, interest in the stickers has been “growing rapidly.”
Weber specifically engineered the stickers to avoid covering any pertinent information on the cards, including the signature section, holographic strip, and barcode. But in the wake of the DOI’s new sticker ban, she adapted the design to guarantee that users won’t be penalized. Instead of adding the sticker directly to their passes, customers can now purchase a $2 plastic card sleeve from Dirt Roads Project to keep their cards completely unaltered while still obscuring the president’s face.
After the DOI’s new regulations emerged, Weber says Dirt Roads Project has seen “skyrocketing” demand, bringing in over $6,000 from the stickers alone in the first weeks of January. “To me, that shows that this small form of protest is being seen, and that people’s frustration is being heard,” she says.
Other small businesses are similarly using their art to fight back. Mitchell Bowen is a graphic designer who runs a poster company called Recollection Project, pulling inspiration from 1930s illustrations to create posters of national parks and other travel destinations. He designed a $12 card sleeve with one of his illustrations for Grand Teton National Park, featuring two American bison in front of a mountain vista. Interest has been so high, Bowen says, that he’s had to pause new orders to focus on fulfilling his backlog.
“Trump’s crassest, most ego-driven action yet”
Both Weber’s and Bowen’s nature-centric designs call back to the history of the national park pass’s design, which has, by federal law, featured the winning photo of the National Park Foundation’s annual public lands photo contest since 2004. In fact, the DOI and the National Park Service are currently facing a lawsuit from the conservation group Center for Biological Diversity for failing to follow that federal design stipulation on the 2026 card.
In a statement on the lawsuit released on December 10, Kierán Suckling, the center’s executive director, wrote that the new pass design was “Trump’s crassest, most ego-driven action yet.”
“It’s disgusting of Trump to politicize America’s most sacred refuge by pasting his face over the national parks in the same way he slaps his corporate name on buildings, restaurants, and golf courses,” he continued. “The national parks are not a personal branding opportunity. They’re the pride and joy of the American people.”
https://www.fastcompany.com/user/gsnelling
Tuesday, February 10, 2026
On July 4, The Port Of New York Will Host One Of The Largest Ship Gatherings In History To Mark The Country's Semiquincentennial
For the nation’s 250th birthday, the city’s waterfront becomes the stage for a historic parade of ships, jets and fireworks.
Photograph: Courtesy of Sail250
If your idea of a big Fourth of July crowd is shoulder-to-shoulder on the Brooklyn Heights Promenade, get ready to think much, much bigger. Next summer, New York Harbor will celebrate America’s 250th anniversary with what organizers are calling the largest international maritime gathering in U.S. history.
From July 3 through 9, the Port of New York and New Jersey will host a weeklong spectacle featuring more than 60 international tall ships from more than 20 countries, more than 40 allied and U.S. naval vessels, a British aircraft carrier, Cunard’s Queen Mary 2 and an aerial armada of over 100 aircrafts led by the U.S. Navy’s Blue Angels. By the numbers alone, it’s set to eclipse every Operation Sail celebration that came before it, from 1964 through 2012.
The main event hits on July 4, natch, with an International Parade of Sail that will send towering Class A tall ships gliding under the Verrazzano Bridge, past the Statue of Liberty and up the Hudson to the George Washington Bridge. They will be joined by smaller Class B ships, gray-hulled naval vessels in a rare International Naval Review and a sky full of flyovers, all before the night wraps with the 50th anniversary of Macy’s July 4th Fireworks over Manhattan.
City officials project that as many as eight million spectators could line the 15-mile stretch of New York City and New Jersey coast to watch it all unfold. The economic ripple is just as outsized: an NYC Economic Development Corporation analysis estimates $2.85 billion in total economic activity, including $730 million in net new impact for the city.
The show won’t end when the fireworks fade. From July 5 to 8, many of the international tall ships will be open for free public boarding at piers across Manhattan, Brooklyn, Staten Island and New Jersey. The week also brings food festivals, cultural programming and a ticker-tape parade honoring post-9/11 veterans and first responders.
It’s not just another Fleet Week moment. For Semiquincentennial the harbor itself becomes the main stage, with tall ships, naval power and aerial displays converging in a way the city hasn’t seen in decades.
https://www.timeout.com/profile/laura-ratliff
Photograph: Courtesy of Sail250
If your idea of a big Fourth of July crowd is shoulder-to-shoulder on the Brooklyn Heights Promenade, get ready to think much, much bigger. Next summer, New York Harbor will celebrate America’s 250th anniversary with what organizers are calling the largest international maritime gathering in U.S. history.
From July 3 through 9, the Port of New York and New Jersey will host a weeklong spectacle featuring more than 60 international tall ships from more than 20 countries, more than 40 allied and U.S. naval vessels, a British aircraft carrier, Cunard’s Queen Mary 2 and an aerial armada of over 100 aircrafts led by the U.S. Navy’s Blue Angels. By the numbers alone, it’s set to eclipse every Operation Sail celebration that came before it, from 1964 through 2012.
The main event hits on July 4, natch, with an International Parade of Sail that will send towering Class A tall ships gliding under the Verrazzano Bridge, past the Statue of Liberty and up the Hudson to the George Washington Bridge. They will be joined by smaller Class B ships, gray-hulled naval vessels in a rare International Naval Review and a sky full of flyovers, all before the night wraps with the 50th anniversary of Macy’s July 4th Fireworks over Manhattan.
City officials project that as many as eight million spectators could line the 15-mile stretch of New York City and New Jersey coast to watch it all unfold. The economic ripple is just as outsized: an NYC Economic Development Corporation analysis estimates $2.85 billion in total economic activity, including $730 million in net new impact for the city.
The show won’t end when the fireworks fade. From July 5 to 8, many of the international tall ships will be open for free public boarding at piers across Manhattan, Brooklyn, Staten Island and New Jersey. The week also brings food festivals, cultural programming and a ticker-tape parade honoring post-9/11 veterans and first responders.
It’s not just another Fleet Week moment. For Semiquincentennial the harbor itself becomes the main stage, with tall ships, naval power and aerial displays converging in a way the city hasn’t seen in decades.
https://www.timeout.com/profile/laura-ratliff
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