Showing posts with label British Museum. Show all posts
Showing posts with label British Museum. Show all posts

Sunday, December 4, 2022

British Museum Reportedly In Talks On Parthenon Sculptures

The British Museum has pledged not to dismantle its collection, following a report that the institution’s chairman has held secret talks with Greece’s prime minister over the return of the Parthenon Sculptures, also known as the Elgin Marbles.

The report by the Greek newspaper Ta Nea is the latest twist in the long-running dispute over ownership of the ancient sculptures, which originally stood on the Acropolis in Athens and have been a centerpiece of the British Museum’s collection since 1816.

Ta Nea reported Saturday that negotiations between museum Chairman George Osborne and Greek Prime Minister Kyriakos Mitsotakis have been taking place since November 2021 and are at an advanced stage.

While the museum didn’t deny that talks have taken place, a spokesman refused to discuss the specifics of the Ta Nea story. The museum said it was prepared to “talk to anyone, including the Greek government” about a new Parthenon “partnership.’

“As the chair of trustees said last month, we operate within the law and we’re not going to dismantle our great collection as it tells a unique story of our common humanity,” the museum said in a statement released Saturday. “But we are seeking new positive, long-term partnerships with countries and communities around the world, and that of course includes Greece.”

The Greek government offered no comment on the report.

Although British authorities have rebuffed efforts to return the sculptures to Greece since at least 1941, there has been a change of tone recently as museums around the world seek to address concerns about the way ancient artifacts were acquired during periods of imperial domination and colonial expansion.

In July, Jonathan Williams, the British Museum’s deputy director, said the institution wanted to “change the temperature of the debate” around the marbles.

“What we are calling for is an active ‘Parthenon partnership’ with our friends and colleagues in Greece,” he told the Sunday Times. “I firmly believe there is space for a really dynamic and positive conversation within which new ways of working together can be found.”

On its website, the museum says it is willing to consider loaning the sculptures to Greece, but that successive Greek government’s have refused to acknowledge the museum’s ownership. There are no current negotiations about the issue, the museum says.

Speaking during a visit to London on Nov. 28, Greek PM Mitsotakis implied that some talks have taken place.

“I don’t want to speak publicly about the discussions that we have had,” he said. “But I think there is a better sense of understanding that maybe a win-win solution can be found that will result in a reunification of the Parthenon Sculptures in Greece, while at the same time also taking into consideration concerns that the British Museum may have.”

The issue is complicated by an act of Parliament that prohibits the museum from selling, giving away or otherwise disposing of any items in its collection unless they are duplicates or not needed for study.

The marbles are remnants of a 160-meter-long (520-foot) frieze that ran around the outer walls of the Parthenon Temple on the Acropolis, dedicated to Athena, goddess of wisdom. Much was lost in a 17th-century bombardment, and about half the remaining works were removed in the early 19th century by a British diplomat, Lord Elgin.
They ended up in the British Museum, which has repeatedly rebuffed Greek demands for their return.

Successive Greek governments have lobbied for the return of the British Museum’s share of the works, which include statues from the Parthenon’s pediments — the all-marble building’s gables. They argue that Elgin illegally sawed off the sculptures, exceeding the terms of a questionable permit granted by Turkish authorities while Greece was an unwilling part of the Ottoman Empire.

The British Museum rejects that stance — despite indications that public opinion in the U.K. favors the Greek demand — and has shown little willingness to permanently return the works.

The Parthenon was built between 447-432 B.C. and is considered the crowning work of classical architecture. The frieze depicted a procession in honor of Athena. Some small bits of it — and other Parthenon sculptures — are in other European museums.

By DANICA KIRKA

Tuesday, October 19, 2021

British Museum To Display The World’s Oldest Map Of Stars

LONDON (AP) — The British Museum will display what it says is the world’s oldest surviving map of the stars in a major upcoming exhibition on the Stonehenge stone circle.

The 3,600-year-old “Nebra Sky Disc,” first discovered in Germany in 1999, is one of the oldest surviving representations of the cosmos in the world and has never before been displayed in the U.K., the London museum said Monday.

The 30 centimeter (12 inch) bronze disc features a blue-green patina and is decorated with inlaid gold symbols thought to represent the sun, the moon and constellations.

The “World of Stonehenge” exhibition planned for next year will be the first time the disc has been loaned out from Germany for 15 years. The U.K. is only the fourth country the disc has travelled to after it was discovered buried in the ground in eastern Germany.

It will feature alongside an extremely rare 3,000-year-old sun pendant described by the British Museum as the most significant piece of Bronze Age gold ever found in Britain.

“The Nebra Sky Disc and the sun pendant are two of the most remarkable surviving objects from Bronze Age Europe,” said Neil Wilkin, the exhibition’s curator.

Wednesday, September 17, 2014

British Museum Features 'Golden Age' Of Ming China


Contributed by James Brooks, AP





In this Monday, Sept. 15, 2014 photo, a gilded bronze sculptures of the Avalokitesvara, the enlightened being destined for Buddhanhood most often worshipped in China, is seen at an exhibition entitled 'Ming 50 years that changed China' in British Museum in central London. Between AD 1400 and 1450, China was a global superpower run by one family – the Ming dynasty – who established Beijing as the capital and built the Forbidden City. The exhibition, running from Sept. 18, 2014 to Jan 5, 2015, will feature a range of these spectacular objects – including exquisite porcelain, gold, jewellery, furniture, paintings, sculptures and textiles – from museums across China and the rest of the world. (AP Photo/Lefteris Pitarakis)
 Intricate, inventive and ahead of their time - and that's just the vases. London's British Museum will open a major new exhibition on Thursday exploring the rich art and global influences of China's Ming era in the 15th century.

Some 280 objects from the years 1400 to 1450 will be featured, from bejeweled gold vessels and gilded-bronze Buddhist figures to a 9-meter- (30-foot)-long scroll painted on bamboo.

"This early 15th century is a moment when you can actually bring all these things together and have a snapshot of what it was like to be in China" in that period, said the exhibition's co-curator Jessica Harrison-Hall. That's before Columbus was even born, she added.

The exhibition looks at China's culture, government and place in the world in the early Ming Dynasty, described as a "pivotal 50 year period" for the country. It was during this time that China's capital moved from Nanjing to Beijing, with the Forbidden City at its heart. The vast palace is still a national symbol to this day.
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The period also saw Chinese treasure ships exploring the seas, creating trade links spanning Kyoto in Japan to Mogadishu in Somalia.
That international status created a flow of visitors to the state, bringing new goods and ideas, and influencing everything, including the Ming dynasty's famed porcelain production.

The exhibition displays a collection of elaborate and grand porcelain shapes inspired by Middle Eastern candle sticks, made from central Asian jade and glass from Syria.
"The international contacts are effectively reflected in the porcelain of the period," said Harrison-Hall.
The exhibition - which was five years in the making - is part of new research efforts to shed light on early 15th-century China on the international stage.

While older accounts focus on the early 1500s, when Portuguese and Spanish vessels began trading directly with China, the exhibition shows the wealth of China's international reach around 100 years prior.
"Ming: 50 Years that changed China" will run at London's British Museum through Jan. 5, 2015.

Thursday, June 12, 2014

The Most Popular Museums In The World


MUSEUMS bring to mind hushed, reverential rooms—though not to anyone who has competed to catch a glimpse of the Mona Lisa. Room six at the Louvre can feel more like a popular concert, as crowds, mobile phones aloft, jostle to take snaps. The Louvre is the world's most-visited museum; last year more than 9m people paid €12 ($16) to squeeze a peek at La Gioconda's stifled smile. Most of the top museums are free (as is the Met in New York; the $25 it asks for is only a suggested donation). At the Louvre, visits fell slightly from a year earlier. Attendance is growing at the National Museum of China—at the current rate, according to some, it might surpass the Louvre next year as the world’s most-visited museum. The Themed Entertainment Association, which compiled the museum data, also tracks theme parks. The most popular attraction was the Magic Kingdom at Walt Disney World in Florida, which received 18.6m visitors, double the Louvre’s figures. In all, 133m tourists visited a Disney theme park in 2013, suggesting that people prefer Mickey to Michelangelo








Source: www.economist.com/

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