Showing posts with label Matisse. Show all posts
Showing posts with label Matisse. Show all posts

Wednesday, November 26, 2025

See Masterpieces By Monet, Matisse, Degas And Picasso In The First-Ever Exhibition Of This German Family’s Private Art Collection In Berlin

The Scharf Collection features French artworks from the 19th and 20th centuries, as well as contemporary pieces from around the world.
“The Scharf Collection: Goya—Monet—Cézanne—Bonnard—Grosse” is on view at the Alte Nationalgalerie in Berlin. Staatliche Museen zu Berlin, Alte Nationalgalerie / David von Becker

Over four generations, one German family built a sprawling collection of European masterpieces. Now, those artworks are on public display for the first time.

Titled “The Scharf Collection: Goya—Monet—Cézanne—Bonnard—Grosse,” the exhibition is on view at the Alte Nationalgalerie in Berlin through February 15, 2026. It spotlights about 150 artworks by renowned painters across three centuries, including old masters like Francisco Goya, Impressionists like Claude Monet, modernists like Pablo Picasso and contemporary artists like Germany’s Katharina Grosse.
No Title, Katharina Grosse, 2000 The Scharf Collection

“We go from Goya to Grosse,” said René Scharf, the current owner of the collection, at the exhibition’s opening, per the Associated Press’ Geir Moulson.

Scharf said he hopes visitors will draw connections between artworks from different time periods and genres—such as how Monet’s hazy blue Waterloo Bridge (1903) informs Grosse’s works, which were created a century later.

The exhibition begins with etchings by Goya, such as his series Disasters of War (1810-1820), according to Euronews’ Leticia Batista Cabanas. It continues through Romanticism, Realism, Impressionism and Post-Impressionism. Finally, the show ends with modern and contemporary artworks, such as Daniel Richter’s We’ll Never Stop Living This Way (2009).

In addition to seeing renowned artworks in person, visitors will “dive deep into the historical developments” and “learn about the different personalities who have been collecting and preserving the collection,” Anette Hüsch, director of the Alte Nationalgalerie, tells Artnet’s Jo Lawson-Tancred.
Waterloo Bridge, Claude Monet, 1903 The Scharf Collection

The collection was started by Scharf’s great-grandfather, Otto Gerstenberg, who led a life insurance company in Berlin. Born in 1848, Gerstenberg began his art collection by acquiring prints by old masters like Albrecht Dürer, Goya and Rembrandt, according to the museum. Around 1900, he started collecting French impressionists like Monet and Edgar Degas. As his interests continued to expand, he acquired a large collection of art by Henri de Toulouse-Lautrec, and some of these works are “a centerpiece of the show,” per the AP.

When Gerstenberg died in 1935, he had collected some 2,200 artworks. During World War II, some pieces were destroyed by air raids or looted by Russian soldiers, but his daughter, Margarethe Scharf, saved most of the collection. In 1961, the surviving artworks went to her sons, Walther and Dieter Scharf, who incorporated them into their own art collections.

Dieter developed an interest in Surrealists like Salvador Dalí, while Walther and his wife, Eve, maintained a focus on 19th-century French art, according to Artnet. The couple added more Impressionist paintings by Monet, Degas and Pierre-Auguste Renoir, along with works by Post-Impressionists like Paul Cézanne and Pierre Bonnard. Their son, René Scharf, is the current owner of the collection. René and his wife, Christiane, have since added contemporary paintings by artists such as Grosse, Richter and Sam Francis.
We'll Never Stop Living This Way, Daniel Richter, 2009 The Scharf Collection / Jens Ziehe / VG Bild-Kunst

The family has loaned individual pieces from the collection to museums, but many of the artworks in the exhibition have never been publicly displayed. As Scharf tells the AP, when the Alte Nationalgalerie first contacted him about showing the collection, “We asked ourselves, ‘What happens if we do nothing?’ Then maybe 30, 40 or 50 people per year will see the collection, and only a very small part of it, because we can’t hang everything at home.”

In the end, the family decided that the artworks should be displayed for anyone who wants to see them. “The collection deserves to be seen publicly,” he says.

“The Scharf Collection: Goya—Monet—Cézanne—Bonnard—Grosse” is on view at the Alte Nationalgalerie in Berlin through February 15, 2026.

https://www.smithsonianmag.com/author/sonja-anderson/

Thursday, August 11, 2016

The Barnes Foundation Announces Looking At Matisse Today: A Symposium, October 13 – 15, 2016


THE BARNES FOUNDATION BRINGS TOGETHER LEADING SCHOLARS FROM ACROSS THE GLOBE FOR SWEEPING DISCUSSION OF NEW RESEARCH ON MATISSE
International symposium takes place October 13 - 15, 2016

Philadelphia, PA.-In an unprecedented symposium exploring Henri Matisse’s life and work, the Barnes Foundation, home to one of the largest and most important holdings of Matisse in the world, will convene leading international scholars to share new research and insights on the artist. Taking place October 13–15, 2016, Looking at Matisse Today: A Symposiumwill be led by Sylvie Patry, Deputy Director for Collections and Exhibitions and Gund Family Chief Curator. The event, the first of its kind to be hosted by the Barnes Foundation, will take place at the Foundation’s Philadelphia campus and is designed to probe possible fresh approaches to Matisse’s work, both with regard to his iconic works and within the larger context of the history of modernism.

“What better place to revive a discussion of Matisse’s place today and how we view his art than the Barnes, where the span of his artistic career is so well represented and his development as an artist was nourished?” said Patry. “Our hope with this symposium, which is inspired by the recently published Matisse in the Barnes Foundation by Yve-Alain Bois—the first authoritative publication on the Barnes’s Matisse collection—is not only to open new paths of exploration for French and American scholars of Matisse, but also to advance Franco-American scholarship and cultural exchange.”
Looking at Matisse Today: A Symposium is sponsored by Freeman’s auction house and American Airlines, with generous support from the Georges Lurcy Charitable and Educational Trust and individual donors. In connection with the Barnes’s recent publication of Matisse in the Barnes Foundation, and as part of the Foundation’s commitment to being a forum for research, exploration, and the development of new scholarship, Looking at Matisse Today: A Symposium will feature papers by a roster of some 20 scholars. Patry, Barbara Buckley, Senior Director of Conservation and Chief Conservator of Paintings, and Thom Collins, Executive Director and President, will take part.

“Among the 59 works in the Barnes collection are such historically significant paintings as Le Bonheur de vivre (The Joy of Life) and The Dance, which were pivotal in the evolution of Matisse’s art, but also in their profound influence on other artists and on the trajectory of art in the 20th century,” said Collins. “It’s our privilege to welcome leading scholars to share new ideas on the artist against the incredible backdrop of our holdings and in celebration of Dr. Albert C. Barnes’ long relationship with Matisse.”
In recent decades, numerous exhibitions and publications have reframed interpretations of Matisse’s work, forming a basis for discussions on the influence and understanding of the artist. Topics to be discussed at the Barnes’s symposium include the artist’s creative process, the role of drawing in his work, specific moments in his career, and his relationship to objects—particularly those from non-Western traditions. Matisse in the Barnes Foundation is a three-volume catalogue raisonné of the Barnes Foundation’s Matisse collection, edited by Yve-Alain Bois, professor of art history at the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ. This publication on one of the largest and most important holdings of Matisse offers fresh scholarship and furthers understanding of Matisse’s technique. It provides detailed interpretive analyses of the Matisse paintings in the Barnes Collection, including the stories behind acquisitions of the works as well as their critical reception, and presents a study of these holdings with unprecedented depth.
Looking at Matisse Today: A Symposium is sponsored by
https://us.vocuspr.com/Publish/3037390/vcsPRAsset_3037390_61194_5cc50f3d-aaf9-4a6e-a366-d4629ef2643b_0.jpg
 https://us.vocuspr.com/Publish/3037390/vcsPRAsset_3037390_61193_3aaa33d3-0406-4757-9878-6ca1573785c0_0.jpg
With generous support from the Georges Lurcy Charitable and Educational Trust and individual donors.
ABOUT THE BARNES FOUNDATION 
The Barnes Foundation was established by Albert C. Barnes in 1922 to “promote the advancement of education and the appreciation of the fine arts and horticulture.” The Barnes holds one of the world’s finest collections of Impressionist, post-Impressionist, and early modern paintings, with extensive works by Pierre-Auguste Renoir, Paul Cézanne, Henri Matisse, Pablo Picasso, Henri Rousseau, Amedeo Modigliani, Chaim Soutine, and Giorgio de Chirico; works by American masters Charles Demuth, William Glackens, Horace Pippin, and Maurice Prendergast; old master paintings; important examples of African sculpture; Native American ceramics, jewelry, and textiles; decorative arts and ironwork; and antiquities from the Mediterranean region and Asia. While most collections are grouped by chronology, style, or genre, art at the Barnes is arranged in ensembles structured according to light, line, color, and space—principles that Dr. Barnes called “the universal language of art.” The Foundation’s programs include First Fridays, Young Professionals nights, tours, tastings, and family programs, as well as Barnes-de Mazia Education Program courses and workshops. These programs advance the Foundation’s mission through progressive, experimental, and interdisciplinary teaching and learning. The Barnes Foundation is open Wednesday–Monday and tickets can be purchased on-site, online, or by calling 215.278.7200. Ticket prices and current hours are listed on barnesfoundation.org.
The Barnes Arboretum in Merion contains more than 2,500 varieties of trees and woody plants, many of them rare. Founded in the 1880s by Joseph Lapsley Wilson and expanded under the direction of Laura Leggett Barnes, the living collections include 40 state champion trees, a Chinese fringe tree (Chionanthus retusus), a dove tree (Davidia involucrata), a monkey-puzzle tree (Araucaria araucana), and a coast redwood (Sequoia sempervirens). Other important plant collections include lilacs, peonies, stewartias, ferns, medicinal plants, hostas, and magnolias. The Horticulture Education Program has offered a comprehensive three-year certificate course in the botanical sciences, horticulture, garden aesthetics, and design since its establishment in 1940 by Mrs. Barnes. The arboretum also offers horticulture workshops and lectures. Tickets to the Arboretum can be purchased on-site. Ticket prices and current hours are listed on