Showing posts with label American History. Show all posts
Showing posts with label American History. Show all posts

Tuesday, July 28, 2026

Discovering The Hidden History: The New Museum Beneath The Lincoln Memorial


For over a century, millions of visitors have climbed the iconic steps of the Lincoln Memorial, gazed up at the towering statue of the 16th president, and looked out over the Reflecting Pool. But beneath their feet lay a massive, cavernous secret—until now.


Just in time for the United States' Semiquincentennial (250th anniversary) celebrations, the National Park Service has officially opened the Lincoln Memorial Undercroft Museum as of June 25, 2026. This $69 million, 15,000-square-foot project transforms a forgotten, dirt-floor basement into an immersive, world-class exhibit that lets visitors experience one of America’s greatest monuments from the inside out.




🏛️ What is the Undercroft?


When construction on the Lincoln Memorial began in 1914, the National Mall was essentially a muddy floodplain. To support the immense weight of the marble monument, engineers had to dig down 40 feet and pour dozens of towering concrete columns. This grid of 122 pillars created a three-story, 43,800-square-foot basement known as the "undercroft."


For decades, this massive space was closed to the public, accessible only to maintenance workers (and briefly to a few lucky flashlight tours in the 1980s). Now, thanks to extensive renovations and a glass wall providing a dramatic view of the original foundations, the public can finally walk among the pillars that hold up history.




✨ Highlights of the New Museum


The new museum isn't just about architecture; it tells the complete story of the memorial, from its physical construction to its enduring legacy as a backdrop for the Civil Rights Movement. Here is what you can expect to see:


  • Rare Historical Documents: In a stunning display, the museum features original signed copies of both the Emancipation Proclamation and the 13th Amendment (currently on loan). It is a profound experience to see the very documents that reshaped America housed beneath the president who championed them.
  • Immersive Theater: An engaging multimedia presentation projects historic events and the story of the memorial's construction directly onto the undercroft's concrete foundations.
  • The Worker's Graffiti: During construction (1914-1922), laborers left behind charcoal doodles and notes on the pillars. The museum honors these unnamed builders by showcasing replicas of this century-old graffiti, offering a gritty, humanizing contrast to the polished marble upstairs.
  • Statue Replicas and Artifacts: The exhibits include a miniature replica of the chair Lincoln sits on, sculpted by Daniel Chester French, along with mock-ups of alternative memorial designs.
  • Upgraded Amenities: Beyond the exhibits, the project brings much-needed practical upgrades, including expanded restrooms, modernized elevators, and a new bookstore.



🎟️ How to Get Tickets (and What It Costs)


Because the Undercroft Museum is an enclosed space, access requires a timed-entry ticket. The good news? Admission is completely free. However, demand is incredibly high during this peak 2026 summer season.


  • Advanced Online Tickets: You can reserve tickets up to 30 days in advance via Recreation.gov. While the tickets are free, there is a non-refundable $1.00 service fee per ticket. Additional tickets are also released 24 hours in advance at 4:00 PM ET.
  • Same-Day Walk-Up Tickets: A limited number of free, same-day tickets are distributed daily on a first-come, first-served basis starting at 8:45 AM at the Korean War Veterans Memorial kiosk (located just south of the Lincoln Memorial). Arrive early, as the line forms quickly!

Whether you are a lifelong history buff or simply planning a trip to Washington, D.C. for the nation's 250th birthday, the Lincoln Memorial Undercroft Museum offers an unforgettable, behind-the-scenes look at the people, the engineering, and the ideals that built an American icon.

Monday, July 20, 2026

A Guide to Visiting The Brand-New Theodore Roosevelt Presidential Library

The long-awaited day has finally arrived. On July 4, 2026—coinciding beautifully with America’s 250th birthday—the highly anticipated Theodore Roosevelt Presidential Library officially opened its doors to the world. Perched majestically on a mesa above the Little Missouri River in Medora, North Dakota, this isn't your traditional, dusty archive. It is a stunning, high-tech tribute built right in the heart of the rugged Badlands that T.R. credited with making him the leader he became.

If you are planning a trip to experience this architectural and historical marvel, here is your ultimate guide to what makes a visit to the TRPL absolutely unforgettable.




A Revolution in Eco-Design



Before you even step inside, the building itself will take your breath away. Designed by the world-renowned international architectural firm Snøhetta, the Theodore Roosevelt Presidential Library is the only carbon-neutral presidential library in existence.

The building is low-slung and practically melts right into the top of the North Dakota butte. It features a massive, grass-covered living roof where visitors can take their lunches to go and enjoy expansive views of the rolling prairie. The surrounding 93 acres are part of a massive native plant restoration project, proving that the institution takes T.R.’s fierce conservation legacy seriously.

The "Adventure Galleries": Immersive History



Forget walking silently past glass cases with tiny placard text. The TRPL relies heavily on AI, holograms, and interactive storytelling to let you step directly into Roosevelt’s boots. Upon entry, you are handed an RFID-enabled wristband that customizes your journey. As you explore, you will experience:

  • The Campaign Trail: Pick your top political issues to dynamically generate your own digital election poster.

  • The Amazon Expedition: Climb into a physical boat and float down an uncharted South American river while 16 high-powered projectors transform the room into a vibrant, dangerous jungle around you.

  • The Rough Riders: Track the diverse unit's progress across interactive battle maps from the Spanish-American War.

  • Personal Artifacts: Linger over deeply moving historical objects, like his 1884 pocket diary opened to the heartbreaking entry, "The light has gone out of my life," written on the day both his wife and mother passed away.


Connecting Story and Setting



One of the best features of the library is how seamlessly it transitions from indoors to outdoors. A nearly one-mile-long elevated, fully ADA-accessible boardwalk loops straight out from the library into the prairie. Walking it offers sweeping views of the terrain where a young Teddy built his first ranch, offering a quiet space for reflection.

Best of all, the boardwalk connects directly to the legendary Maah Daah Hey Trailhead, allowing active hikers to venture straight out into the Badlands wilderness.

Pro-Tips for Your Visit



  • Book in Advance: To ensure an unhurried, top-tier experience, the museum utilizes limited timed-entry ticketing. Walk-ups are not guaranteed, so secure your passes online ahead of time. Tickets run $26 for adults and $16 for youth.

  • Give Yourself Time: Plan to spend at least 2 to 3 hours here to fully appreciate both the indoor multimedia galleries and the outdoor landscape trails.

  • Make a Weekend of It: Combine your visit with a trek into the adjacent Theodore Roosevelt National Park. Grab a steak cooked on a pitchfork at the local Pitchfork Steak Fondue, and take in the historic, open-air Medora Musical in the evening.


The Bottom Line



The Theodore Roosevelt Presidential Library isn't just a monument to a past leader; it’s an invitation to challenge yourself, examine your own values, and connect deeply with the American wilderness. Whether you are a history buff, an architecture enthusiast, or a nature lover, Medora’s newest crown jewel is officially open and well worth the pilgrimage.

Monday, May 11, 2026

Philadelphia Museums Revisit How America Was Built On Botany

The Academy of Natural Sciences and the Mütter Museum have exhibitions about the role of plants in nation building.

When Founding Father Thomas Jefferson arrived in Philadelphia to draft the Declaration of Independence, he was not impressed by the city. Jefferson, a Virginian farmer, rented a room far from the urban bustle, on what is now Seventh Street.

“I view great cities as pestilential to the morals, the health and the liberties of man,” Jefferson wrote to Benjamin Rush in 1800. “True, they nourish some of the elegant arts; but the useful ones can thrive elsewhere.”

Jefferson saw North America’s flora and fauna as its greatest asset.

“The greatest service which can be rendered any country is to add a useful plant to its culture,” Jefferson wrote in “Summary of Public Service” in 1800.

As Philadelphia celebrates the country’s 250th birthday, exhibitions at the Academy of Natural Sciences and the Mütter Museum, and an academic symposium at the University of Pennsylvania make the case for Philadelphia’s central role in establishing American botany as a pillar of nation-building.

“Botany of Nations,” at The Academy of Natural Sciences of Drexel University, explores how plants helped shape the nation and explains why Jefferson sent Meriwether Lewis and William Clark on the 1803 Corps of Discovery expedition through the Louisiana Purchase. To build a great nation, Jefferson needed to know what grew here.

“The object of the Corps of Discovery, the aims of it, were complicated,” said curator Marina McDougall. “He asked Lewis and Clark, in meeting with Native Americans, to explore trade. There was diplomatic interest. And, of course, the native nations came to it with their complex trade histories and their own interests.”

Why ‘Botany of Nations’?

The title reflects Lewis and Clark’s exploration of lands occupied by 50 distinct native nations, each with thousands of years of botanical knowledge.

“Many Americans look to the Lewis and Clark Corps of Discovery as a way to think about national identity. Our identities as Americans come from that,” McDougall said. “But it was much more complex than the story of these two heroic figures.”

American natural sciences were largely concerned with identifying and categorizing plant and animal types. Before heading west in 1804, Lewis learned botany in Philadelphia from Benjamin Smith Barton, a member of the College of Physicians of Philadelphia.

Barton argued in 1798 for the creation of an American encyclopedia of medicinal plants, i.e. a pharmacopeia, so the United States would not be solely reliant on European knowledge.

“They brought a pharmacopeia over with them on the Mayflower,” said Meredith Sellers, a curator at the Mütter Museum at the College of Physicians of Philadelphia. “This is like WebMD in the colonial era.”

The Mütter Museum currently has a small exhibition, “Revolutionary Botany,” featuring manuscripts and artifacts tracing the origins of modern medicine to Philadelphia botanists.

“Revolutionary Botany” features figures such as Barton, who consulted with area indigenous people for their knowledge of native plants, John Bartram of Bartram’s Garden and the creation of America’s first pharmacy school, the Philadelphia College of Apothecaries — later the Philadelphia College of Pharmacy, now part of St. Joseph’s University.

The first American pharmacopeia was created in 1820 to establish the validity of American medicine.

“That’s really what the American pharmacopeia reflects,” Sellers said. “It’s a compendium of both the European known curatives and then adding to it these new American plants within a European understanding of what’s new.”

The European understanding of botany collided with an indigenous perspective of plants. Nakia Williamson-Cloud of the Nez Perce nation said naming species and categorizing them into taxonomic groups is antithetical to indigenous practice.

The story of the humble camas root

Williamson-Cloud is one of several ethnobotanists consulted for “Botany of Nations.” He appears in a section about the camas plant, a grass with a thick root bulb that grows in Western North America.

“It was one of the main food staples, probably contributed to almost 50% of our diet,” he said. “It was a root that was very important to our life and our subsistence, but it’s also intertwined within our spirituality.”

The camas, often called “Grandmother” by the Nez Perce, is part of native creation myths: The plant was born from the tears of a grandmother who cried herself to death over her children’s hunger. Camas also appeared in the wake of the coyote figure who battled a great monster to death.

“As travelers on a schedule, [Lewis and Clark] may have missed important elements of the Nez Perce system for producing annual crops of big camas bulbs,” said Sarah Walker, a Forest Service botanist featured in “Botany of Nations. “This was a system planned and carried out by women, whose horticultural skills were not investigated by Lewis and Clark.”

Williamson-Cloud contributed to the exhibition a traditional tú·kes digging stick, a long, thin hardwood branch hardened by fire with a bone crosspiece on top. Women who harvested camas would plunge the stick several inches into the ground and lever up the camas bulb, cleanly uprooting it without damaging surrounding grasses.

“Lewis and Clark probably didn’t realize the degree to which the lands of North America were being gardened,” McDougall said. “Through cultural fire, through the practices of weeding things out as you dug the camus using the digging sticks that don’t disturb things around it, these were cultivated landscapes that were entering into.”

Lewis and Clark observed Nez Perce women picking camas in the wild and likely assumed they were foraging. But the Nez Perce were farmers cultivating plants for harvest. Like many indigenous farming practices, it did not look like European farming with rows of monoculture crops; plants were carefully sown and later gathered without disturbing surrounding plant life.

“We don’t go to discover a place. We go to a place and seek connection with it,” he said. “They are what gives us identity. We don’t give it identity.”

The myth of the American wilderness

The idea that Lewis and Clark entered and discovered untouched wilderness is an American myth, according to Rosalyn LaPier, professor of History at the University of Illinois Urbana-Champaign, who spoke at a recent Penn symposium, Adventive America, about the role of plants in American nationhood.

“We have this longstanding philosophy that this was a place untouched by humans, a place that was a Garden of Eden touched by god and untouched by humans,” she said in her presentation. “We have carried that philosophy forward to this day.”

LaPier, who is a member of the Blackfeet tribe, pointed to the 1964 U.S. Wilderness Act, which codifies in federal law the definition of wilderness as an area “untrammeled by man, where man himself is a visitor who does not remain.”

“The idea of the wilderness is so embedded in U.S. culture, we need to have I-don’t-know-what kind of surgery to pull that apart,” she said.

In 1805, Lewis and Clark encountered the indigenous Salish people of what is now Western Montana. The meeting is the subject of a large painted mural by Charles Russell, “Lewis and Clark Meeting Indians at Ross’ Hole” (1912), that now hangs in the Montana House of Representatives building.

In 2019, the Salish people published their own account of the historic meeting of the Salish and the Lewis and Clark expedition, describing it as “less an innocent Corps of Discovery than a reconnaissance for invasion.”

“They did not understand that what they saw in western Montana in 1805 was not the product of human absence, but more the product of human presence,” the Salish wrote in “The Salish People and the Lewis and Clark Expedition,” “Or more precisely, a particular kind of human presence.”

Updating the historic record

Lewis and Clark shipped 222 plant samples back to Philadelphia, pressed and annotated on paper sheets, which remain at the Academy of Natural Sciences as the Lewis and Clark Herbarium. Several sheets are on view in “Botany of Nations,” alongside updated sheets that include additional information about the plants, provided by indigenous ethnobotanists. When the exhibition wraps up next year, the new sheets will be permanently included in the historic herbarium collection.

“The academy’s been around for 200-plus years. What are researchers going to want in 50, 100, 200 years beyond that?” said Kaitlyn O’Brian, the Academy’s director of development. “They’re going to want the full view of what a plant can tell us. How can we weave indigenous science and indigenous knowledge into our collections so that future researchers and generations can really understand the full history of a plant?”

“Botany of Nations” will be on view at the Academy of Natural Science at Drexel University until February 14, 2027. “Revolutionary Botany” at the Mütter Museum will be on view through 2026. The “Adventive America” symposium at the University of Pennsylvania occurred in March 2026.

https://whyy.org/person/peter-crimmins/

Sunday, April 19, 2026

Philadelphia's First Bank Of The United States Reopens This Summer As A Museum: What To Know

A historic Philly landmark is set to reopen as a brand-new attraction this summer — just days before the country’s milestone 250th anniversary.
— Photo courtesy The First Bank of the United States

The revitalized and revamped First Bank of the United States — closed to the public since the Bicentennial in 1976 — reopens to the public on July 1, 2026, as a modern museum that tells the story of banking in America.

The bank — once the cornerstone of Alexander Hamilton’s visionary plan to create a central banking system to support our new nation — has undergone a multi-million dollar renovation to restore the building’s architectural glory.

The interior space has also been retooled to welcome visitors eager to learn more about the bank’s mission to financially unite the original 13 colonies and establish a system of banking in America.

Since the public hasn’t had access to the First Bank building in 50 years, visitors can expect to see the interior and exterior gussied up and looking finer than ever, with the marble façade having undergone a makeover and the interior structure and sculptures restored.

Visitors to the refurbished space enter through a modern addition built in the rear of the iconic, temple-like building. This addition updated the space with a heating and cooling system, bathrooms, stairs and an elevator.

The sweeping interior rotunda, featuring 240 glass panels around a central skylight, serves as an exhibition space with room for meetings, educational programs and special events.
— Photo courtesy The First Bank of the United States

Expect immersive, modern exhibits, though specific details are still under wraps.

Mired in debt after emerging triumphant from the Revolutionary War, the country looked to Secretary of the Treasury Alexander Hamilton to come up with ways to pay up while continuing to grow economically. A lawyer by trade, Hamilton looked to the U.S. Constitution for ideas.

Hamilton believed that the document’s Necessary and Proper Clause gave the country the implied power to establish a national bank, but several Founding Fathers disagreed. Ever the orator, Hamilton delivered a 15,000-word rebuttal, successfully selling the idea to President George Washington and Congress.

Originally housed in nearby Carpenters’ Hall, the First Bank of the United States opened in 1791, later moving to its permanent home at 120 South 3rd Street in 1797. Architect Samuel Blodgett Jr. designed the building after Greek temples to signify America’s power and strength, with banks nationwide following suit for the next 150 years.

Congress originally granted the First Bank a 20-year charter. When it expired, prominent Philadelphia financier Stephen Girard jumped at the chance to purchase the building, adding the rotunda and opening his own private bank there in 1812.

The building served Philadelphians as a bank through 1930, changing hands a few times before the National Park Service (NPS) acquired it in 1955, adding it to Independence National Historic Park (INHP). NPS used the space first as a visitor center and more recently as office space. Restoration and planning to convert the space to a museum began more than six years ago.

Built from Pennsylvania blue marble acquired in nearby Montgomery County, the stone façade — featuring six towering Corinthian-style columns — needed some TLC after standing strong through centuries of weathering.
— Photo courtesy The First Bank of the United States

The entire exterior underwent repointing, with workers repairing or replacing any damaged features, including the eagle sculpture (carved out of mahogany) standing watch above the columns and the marble allegory above the doors.

After preserving the structure of the building, builders then had to ensure that the walls would be protected when installing interactive exhibits.

The cost for the rehabilitation — including planning, preservation, construction and installation of exhibits — totaled more than $33 million.

Scheduled to officially open on Wednesday, July 1, 2026, NPS has not yet released information about how visitors can access the First Bank. Stay tuned for more, and learn more about the First Bank on: https://www.nps.gov/inde/index.htm

Source: https://www.visitphilly.com/

Saturday, March 28, 2026

'Once Upon A Nation' In Philadelphia Puts Actors In The Spotlight Of History For America 250 And Beyond

Historic Philadelphia, Inc. is the non-profit behind 'Once Upon A Nation' - a program that brings history to life using actors who train at The Benstitute.

Two types of actors appear in public performances throughout the historic district. History makers stay in character of the people they portray, and are dressed in colonial costume. Storytellers dress in contemporary green shirts and khakis, and can be found at storytelling benches in the historic district.

The benches are semicircular and noted by lime green signs that say 'Once Upon A Nation'. The non-profit has been auditioning actors for these roles for 30 years now, but this year their work takes on special significance. You can find out all the events planned for this summer in the current issue of The Historic Philadelphia Gazette, found either online, or in hard copy at the Independence Visitor Center.

By Natalie Jason

Sunday, March 8, 2026

Step Inside History: America's First Hospital Transforms Into A Museum This Spring!

History buffs and medical enthusiasts, get ready for an exciting new destination in Philadelphia! America's first hospital, the venerable Pennsylvania Hospital, is set to open its doors as a brand-new museum this May. Just in time for the nation's 250th-anniversary celebrations, this transformation promises a fascinating journey into the origins of modern medicine in the United States.
Apothecary Shop: The left image shows a historic pharmacy or apothecary, likely from the early 20th century, featuring shelves filled with medicine bottles. Nursing Education: The right image depicts a nursing class, showing students in vintage uniforms receiving instruction, likely from the same era.

Imagine walking the same halls where groundbreaking medical care was administered centuries ago. The historic Pine Building of Pennsylvania Hospital will house eight captivating galleries and exhibits. Visitors will have the unique opportunity to explore the meticulously preserved historic library, offering a glimpse into the medical knowledge of the past. The impressive surgical amphitheater, where students once observed pioneering procedures, will also be a key highlight. And don't miss the newly restored apothecary, showcasing the pharmaceutical practices of early America.

Friday, February 20, 2026

America's Spark Of Independence Still Shines In The Always Revolutionary Richmond Region

This year, travelers are invited to experience a destination where revolutionary ideas aren't just part of history—they're happening every day.

The Richmond Region in Virginia is central to America's story. Here, Patrick Henry's fiery “Give me liberty or give me death!” speech sparked the fight for independence and secured the region's place at the forefront of change. In 2026, that legacy takes center stage as the nation marks 250 years of independence, with a powerful lineup of exhibitions and events unfolding across the Richmond Region.

Richmond Region Tourism is highlighting this legacy through its Always Revolutionary campaign, which invites travelers to explore the people, places and ideas that have shaped and continue to define the region.

“There's never been a better time to visit the Richmond Region,” said Katherine O'Donnell, President & CEO of Richmond Region Tourism. “In 2026, our localities are bringing history to life through stories that reflect the diverse people, cultures and communities who have shaped this region, while also showcasing the innovative Always Revolutionary spirit that continues to define us today.”

A Milestone Year for History and Heritage

Visitors can take part in America's founding story at sites across the Richmond Region. They can stand where Patrick Henry delivered his legendary call for liberty at Historic St. John's Church, explore Patrick Henry's only surviving home at Scotchtown, and tour the Virginia State Capitol, designed by Thomas Jefferson. At The Valentine First Freedom Center, visitors can explore the lasting impact of the Statute for Religious Freedom, one of Virginia's most influential contributions to democratic ideals.

Between Richmond, which became Virginia's capital during the Revolutionary War, and Williamsburg, the colony's earlier capital, New Kent County adds some of the region's most significant connections to the Revolutionary story. Visitors can explore the grounds of St. Peter's Parish Church, rumored to be the wedding site of George and Martha Washington, and stay overnight at the historic New Kent Ordinary, one of America's oldest roadside taverns. Nearby, the James Lafayette Monument honors an enslaved man who became a key American spy during the Revolutionary War.

History continues in places shaped directly by the war itself, including Colonial Heights, named for the colonial forces stationed along the Appomattox River during the fight for independence.

In Chesterfield County, Henricus Historical Park brings 1611 to life at the second successful English settlement in the New World, where early foundations of American society were formed along the James River.

The Richmond Region also illuminates the places and people often left out of traditional narratives. Opening April 19, the restored Skipwith–Roper Cottage in Richmond's Jackson Ward will honor Abraham Peyton Skipwith, the first known Black homeowner in the neighborhood, circa 1793.

That broader approach to history also includes new efforts to examine the region's role in slavery and its lasting impact. Opening April 9, the Shockoe Institute's Expanding Freedom exhibit at Main Street Station will provide new context for understanding Richmond's role in the domestic slave trade and its enduring legacy, expanding how the region's history is examined and understood.

The Always Revolutionary digital trail guides visitors to key historic sites across the Richmond Region, highlighting the places where events unfolded and ideas took root during the fight for independence.

2026 Commemorations: Celebrating 250 Years of Independence
Throughout the year, visitors can experience landmark exhibitions and events tied to America's 250th anniversary. Richmond Sailfest (June 12–14) welcomes international tall ships to the James River for a free, festival-style weekend of performances and history.

At the Virginia Museum of History & Culture, Revolutionary Allies (March 7–Nov. 1) and We the People (March 21–Sept. 7) explore the people and partnerships that shaped the nation. The museum will also host IllumiNATION (June 25–28), a large-scale outdoor sound and projection show illuminating America's 250-year story across its block-long façade.

At the Virginia Museum of Fine Arts, exhibitions and outreach programs in 2026 will examine the American Revolution and its ideals through art, including a gallery exhibition focused on George Washington and artistic interpretations of the Revolution, as well as a statewide mobile exhibition exploring themes of life, liberty and the pursuit of happiness through works from the museum's permanent collection.

Historic St. John's Church continues its iconic “Liberty or Death” reenactments on summer Sundays, while Patrick Henry's Scotchtown hosts the Governor Celebration on Sept. 19. At The Valentine, Dissent! Liberty & Loyalty in Early Richmond (Feb. 26–Jan. 31, 2027) examines the tensions of a young nation. The Branch Museum of Design presents Americana (opening July 2), exploring the symbols and stories that have shaped American identity.

Together, these events are part of a broader slate of commemorations unfolding throughout 2026 as the Richmond Region marks America's 250th anniversary.

Revolutionary Voices and Revolutionary Ideas

The Richmond Region's story is defined not only by pivotal moments, but by the people whose voices challenged convention and expanded opportunity. Visitors can explore the legacy of poet Edgar Allan Poe at the Poe Museum, walk in the footsteps of Maggie Lena Walker at the Maggie L. Walker National Historic Site, and learn about figures such as John Marshall, Henry “Box” Brown, and Virginia Randolph.

Revolutionary ideas took form here in ways that transformed daily life, from the world's first successful electric streetcar system, introduced in Richmond in 1888, to student-led civil rights protests that helped drive social change.

That tradition of innovation continues today. Introduced in 2025 at Kings Dominion amusement park, Rapterra, the world's tallest and longest launched wing coaster, illustrates how revolutionary ideas in engineering and design continue to emerge in the Richmond Region.

Reinvention is also visible at the neighborhood level. Once an industrial district, Scott's Addition has transformed into one of the region's most dynamic areas, known for its mix of breweries, restaurants, creative businesses and residential development.

Revolutionary Spirit, Modern Momentum

In 2026, the Richmond Region's revolutionary spirit extends well beyond its historic sites. CarMax Park, the new home of the Richmond Flying Squirrels, opens April 7 and anchors a new era of baseball and entertainment in the Diamond District. A longtime tradition also reaches a milestone as Richmond Raceway celebrates its 80th anniversary, honoring decades of racing history at one of America's premier short tracks.

The region's momentum is driven by its people and neighborhoods. Richmond's legacy of Black business excellence, rooted in Jackson Ward, remains a defining force. That creativity is especially visible in the region's ever-evolving food scene, including national recognition for chefs such as Leah Branch of The Roosevelt, a recent James Beard Award nominee.

Several beloved attractions will debut major enhancements in 2026. Maymont celebrates its 100th anniversary as a public park with the spring reopening of its mansion and expanded Virginia Wildlife Trail. Lewis Ginter Botanical Garden will unveil its reimagined Conservatory in spring 2026, doubling the iconic domed structure in size, adding four distinct climate zones, and introducing a permanent butterfly exhibit. Later in the year, Brown's Island will debut a revitalized riverfront.

Ready to Visit?

Whether drawn by the nation's founding story, inspired by voices of change, or energized by what's new, 2026 is the moment to experience the Richmond Region. Together, the Richmond Region's people and places add depth to Virginia's broader VA250 commemoration. With history that still resonates and a future shaped by bold ideas, this is a place that's Always Revolutionary.

Start planning a trip at VisitRichmondVA.com.

Friday, July 14, 2023

First Bank Of The United States To Become Philadelphia's Newest Museum

The shuttered First Bank of the United States is poised to become the city’s newest museum when it opens in 2026.

Why it matters: No visitors have passed through the neoclassical building’s massive columns in almost a half-century.

What’s happening: The Independence National Historical Park, which owns the Old City landmark, is aiming to reopen the building as the People, Power and Profit Museum.

The project will cost more than $33 million, of which $22 million in federal funding was awarded on Monday.

The building housing the nation’s first central bank last served as a temporary visitors' center leading up to the nation’s bicentennial in 1976 before it was closed.

It currently suffers from mechanical issues.

Details: The new museum will showcase the founding of the American economy through five exhibits — land, money, slavery, trade and work.

Artifacts from the bank and early economy will be on display, including documents and minted coins.

The second floor will be dedicated to temporary exhibits and potentially a space for financial literacy courses.

Private rentals at the museum will also be offered.

Plus: The project includes an extension to the building that will include bathrooms and an elevator.

1 cool thing: Visitors will once again be able to see the building’s floor-to-ceiling rotunda with scalloped glass panes, which will be rehabilitated during the project.

What they're saying: "It will complete the original vision of the park to have this building open," Jonathan Burton, development director of Independence Historical Trust, the philanthropic arm to the historical park, tells Axios.

What to watch: The project is on track to begin this month.

Source: https://www.axios.com/local/philadelphia/authors/mdonofrio

Thursday, July 6, 2023

Philadelphia's Only Surviving Revolutionary-Era Dive Bar Will Soon Open Its Doors Again

Colonial Philadelphia burst with bars. There were 101 taverns in the budding port town, or about 1 bar for every 160 citizens, historians say. But only A Man Full of Trouble survives.

It was the dive bar of the Revolution, a waterfront watering hole with an alluringly mournful name. But A Man Full of Trouble Tavern, Philadelphia’s only surviving pre-Revolutionary drinking spot, has been shuttered to the public for decades.

That hasn’t stopped generations of Philadelphians from wandering past the charming, if battered, brick building sitting in the shadows of the Society Hill Towers, and imagining bygone boozers whispering of sedition over the beers. One of the dreamers is Dan Wheeler, an Old City lawyer and real estate investor, who has decided to reopen the place.

Two years ago, Wheeler saw A Man Full of Trouble on a real estate listing and jumped at the chance to own a piece of history.

“I really couldn’t believe my eyes,” Wheeler said, of his $875,000 purchase of the bar and adjoining Colonial house “I’ve been waiting for this for 30 years.”

His plan is to bring life back to the old bar.

In June, Wheeler teamed up with Succession Fermentory, a Chester County brewery, for a Philly Beer Week pop-up at A Man Full of Trouble. It was the first time suds had been served at the tavern, which opened in 1759, in well more than a century.

“I want people to come back in here and breathe life back into this building that has been sitting fallow,” Wheeler said of the historic bar, once a museum and most recently owned by the University of Pennsylvania.

Wheeler, who is 59 and worked as an economic development official for Gov. Ed Rendell, plans to pair up with a microbrewery or distillery, which can sell its stuff in a barroom where regulars once tipped tankards. In the upstairs rooms, where sotted sailors were said to sleep five a bed, Wheeler plans to reopen a museum. One that could again honor the story of a colorful tavern with a colorful name — its original sign famously depicted the image of a man with a woman on his back —and learn about the ordinary Philadelphians who drank there.

“It’s the uniqueness of it,” he said. “You can’t even imagine all the things that went on here.”

It’s a small miracle A Man Full of Trouble even still exists. Colonial Philly burst with bars. There were 101 taverns in the budding port town, or about 1 bar for every 160 citizens, historians say. But only A Man Full of Trouble survives.

Built at 127 Spruce St., it was back then wedged between a brook and stinking Dock Creek. The name was lifted from a Bible passage: “Man who is born of woman is of few days and full of troubles.” Like other modest tippling houses, it was licensed for only beer and cider. While Jefferson and Franklin and their crowd enjoyed their punch at the cozy confines of City Tavern — demolished in 1854, with its current incarnation built in 1976 — it was working waterfront stiffs who bellied up to the bar at A Man Full of Trouble. Dockhands and shipwrights. Sailors stumbling off ships.

“Not the type of place you’d bring your girlfriend for a cocktail,” said Bob Skiba, a tour guide and historian, with a chuckle. “It was more of a divey spot.”

As was the way, a bartender served drinks from behind a small caged bar, which could be locked up at closing. Food was cooked above a fireplace in the dirt-floor basement. The tavern’s most well-known owner was a woman named Martha Smallwood, who tried to class the joint up from 1796 until her death in 1826. For a time, it became a hotel. Then, a wholesale chicken market.

In the 1960s, Virginia Knauer—a onetime City Councilwoman and director of the Federal Office of Consumer Affairs in Washington — and her husband saved the crumbling tavern from the wrecking ball. The couple painstakingly restored A Man Full of Trouble and cared for it as a museum from 1965 to 1994. With help from a University of Pennsylvania archaeological dig, they uncovered hundreds of artifacts from the tavern, including bits of fireplace tile and wallpaper.

The Knauers even restored the missing sign. They chose the less bawdy version, which hangs now. Pulled from a parable, it displays a man walking with his wife, a monkey, a cat and a magpie.

By 1994, the museum remained open only one day a month. The Knauers gave the buildings to Penn, which maintained it as housing for traveling faculty and students.

For his part, Wheeler hopes to have A Man Full of Trouble fully open by next spring. He advertised last month’s pop-up on an Instagram account, where he posts historic images of the tavern. A strong crowd showed.

“I turned around and it was 6 o’clock and nobody wanted to leave,” he said.

He is making some repairs, and, a history buff, throwing himself into research. He envisions the bar being open limited hours, with museum and gallery spaces that could host events.

For him, the allure of the tavern is still imagining its history.

“This would be a great place to plot a revolution,” he said.

Source: https://www.inquirer.com/author/newall_mike/

Monday, April 17, 2023

House Where Martin Luther King Planned Alabama Marches Moving to Michigan

DEARBORN, Mich. (AP) — A lot was happening in March 1965 in the bungalow in Selma, Alabama, that then-4-year-old Jawana Jackson called home, and much of it involved her “Uncle Martin.”

There were late-night visitors, phone calls and meetings at the house that was a safe haven for the Rev. Martin Luther King Jr. and other civil rights leaders as they planned the Selma to Montgomery marches calling for Black voting rights.

The role the Jackson House played was integral to the Civil Rights Movement, so Jackson contacted the The Henry Ford Museum near Detroit about a year ago to ask if it would take over the preservation of the Jackson House and its legacy.

“It became increasingly clearer to me that the house belonged to the world, and quite frankly, The Henry Ford was the place that I always felt in my heart that it needed to be,” she told The Associated Press last week from her home in Pensacola, Florida.

Starting this year, the Jackson House will be dismantled piece-by-piece and trucked the more than 800 miles (1,280 kilometers) north to Dearborn, Michigan, where it will eventually be open to the public as part of the history museum. The project is expected to take up to three years.

Owned by dentist Sullivan Jackson and his wife, Richie Jean, the 3,000-square-foot (28-square-meter) home was where King and others strategized the three marches against racist Jim Crow laws that prevented Black people from voting in the Deep South.

King was inside the home when President Lyndon Johnson announced a bill that would become the Voting Rights Act of 1965.

“There was a synergy going on in that house during those critical times,” Jawana Jackson said. “Whether that was when Uncle Martin was praying the morning of the Selma to Montgomery march or whether he was talking to President Johnson (by phone) in the little bedroom of that home, I always got a sense of energy and a sense of hope for the future.”

The house and artifacts, including King’s neckties and pajamas, and the chair where he sat while watching Johnson’s televised announcement, will be part of the acquisition by The Henry Ford. The purchase price is confidential.

Named after Ford Motor Co. founder and American industrialist Henry Ford, the museum sits on 250 acres (100 hectares) and also features Greenfield Village where more than 80 historic structures are displayed and maintained. The Jackson House will be rebuilt there, joining the courthouse where Abraham Lincoln first practiced law, the laboratory where Thomas Edison perfected the light bulb, and the home and workshop where Orville and Wilbur Wright invented their first airplane.

Also among the collection’s artifacts are the Montgomery city bus whose seat Rosa Parks refused to give up to a white man in 1955 and the chair that Lincoln was sitting on in 1865 when he was assassinated at Ford’s Theatre in Washington.

Visitors to Greenfield Village will be able to walk through the Jackson House, according to Patricia Mooradian, The Henry Ford’s president and chief executive.

“This house is the envelope, but the real importance is what happened inside,” Mooradian said. “We want people to immerse themselves in that history ... to feel and experience what may have gone on in that home. What were the conversations? What were the decisions that were being made around the dining room table?”

Built in 1912, the home served as a guest house for Black authors W.E.B. Dubois and Booker T. Washington who held “fireside chats” regarding education, religion, the arts, community building and economic sustainability, according to the Alabama African American Civil Rights Heritage Sites Consortium.

It took on a greater importance following the fatal shooting of a young Black man, Jimmie Lee Jackson, by an Alabama trooper.

On March 7, 1965, weeks after that slaying, about 600 people participated in a peaceful protest. The late Georgia U.S. Rep. John Lewis was one of the leaders of the planned 54-mile (86-kilometer) march to the state Capitol, which was part of the larger effort to register Black voters. But police beat protesters as they tried to cross the Edmund Pettus Bridge in Selma in what is now known as “Bloody Sunday.”

Television and newspaper reports seared images of that confrontation into the nation’s consciousness. Days later, King led what became known as the “Turnaround Tuesday” march, in which marchers approached police at the bridge and prayed before turning back.

Johnson introduced the Voting Rights Act of 1965 eight days after “Bloody Sunday.” On March 21, King began a third march, under federal protection, that grew to thousands of people by the time it arrived at the state Capitol. Five months later, Johnson signed the bill into law.

The Jackson House brings a new dimension to understanding the role Black Americans played in defeating Jim Crow, according to historian Gretchen Sullivan Sorin.

“The Jacksons are unsung heroes,” Sorin said. “Their generosity and courage shows us how we, as ordinary Americans, can stand up against injustice.”

Jackson said her parents felt the risks were worth taking.
“For them, it was all about the future for me and millions of other children that were going to grow up,” she said. “They felt that everyone deserved a peaceful and more democratic society to grow up in.”

Sunday, August 15, 2021

Church Of MLK’s 1st Leadership Position Gets Museum Funding

MONTGOMERY, Ala. (AP) — As the Alabama church where the Rev. Martin Luther King Jr. was elected to his first leadership position in the civil rights movement marks its 155th anniversary, work has begun to make a museum out of the crumbling building where that vote was taken.

King was 26 when the Montgomery Improvement Association met at Mt. Zion AME Church on Dec. 5, 1955, the first day of what turned out to be a yearlong bus boycott that ushered in the civil rights movement.

In his 1958 memoir about the boycott, King wrote that his election “happened so quickly that I did not even have time to think it through. It is probable that if I had, I would have declined the nomination.”

The church, which marked its 155th anniversary Sunday, moved to another building in 1990, so the 19th century structure is now an annex. It became known as “the fall-down church” after an interstate project split the neighborhoods around it, the Montgomery Advertiser reported.

Now the Central Alabama Community Foundation has begun work under a $500,000 grant to renovate the church and turn it into a museum.

The National Park Service approved the grant in 2018 with an eye to opening the museum in 2020. However, a series of problems, including the coronavirus pandemic, delayed the money’s arrival, foundation President Charles “C.P.” Everett told the newspaper.

The building was saved from demolition nearly 20 years ago by $75,000 from a Central Alabama Community Foundation fund, but its future remained uncertain.

With the grant in hand and a second $500,000 National Park Service grant expected, work has begun to rehabilitate the fellowship hall and install a sprinkler system throughout the building. As that work progresses, officials will start the bid process for the second grant, which Everett said will let the foundation create and open the museum.

Everett said the church was unveiling a banner Sunday to announce the beginning of construction.

“We’re moving forward,” he said.

Monday, April 19, 2021

New Digital Exhibition Of The SS United States Explores America's Flagship As Iconic Symbol Of The Ad Age

(PHILADELPHIA, PA) – Today the SS United States Conservancy, the national nonprofit organization that owns the SS United States and is dedicated to saving the historic ocean liner, launched its first digital exhibition, “Advertising the United States: Discovering America’s Flagship through Prints, Posters, and Advertisements.” Available now to the public at https://www.ssusc.org/advertising-the-united-states, the exhibition features a collection of more than two dozen advertisements and other promotional products, featuring both the iconic ship and major American brands, including Alcoa, Goodyear, IBM, and Socony-Mobil.

Viewed through the lens of the nation’s post-World War II economic boom and subsequent social upheavals of the 1960s, the Conservancy’s digital exhibition offers visitors a look at the intricate, exciting, and beautiful visualizations of the SS United States in print advertising at the height of the “Ad Age.” The Conservancy’s curatorial team also explores how the depictions of the historic ocean liner, from her debut in 1952 to her withdrawal from service in 1969, have shaped our understanding, experience, and memories of this iconic American symbol as well as her namesake nation.

“The SS United States is famous for its groundbreaking design, speed, and style, but she also played a key role as a global ambassador for the nation’s ideals – and its expanding economy,” said Susan Gibbs, President of the SS United States Conservancy and granddaughter of the ship’s famed designer, William Francis Gibbs. “In the post-war era, many marquee brands were eager to associate themselves with America’s Flagship. Advertisers understood and leveraged the ship’s deep, emotional appeal and the connection between the SS United States and the ‘American Dream.’”

Exhibition curator Sydney Sheehan said, “While she was built as a convertible troop transport vessel, America’s Flagship was truly a symbol of the country’s new, outsized role as a global superpower. She portrayed the very best of her country and advertisers understood how to capitalize on those feelings of patriotism and national pride. Even later in her career, when she became eclipsed by jet liners as the preferred form of transatlantic travel, the men and women behind the scenes found a way to recast America’s Flagship as the ‘Unrushable’ option for a more glamorous, immersive travel experience.”

Set to run through August 15, 2021, “Advertising the United States” will include special events and expanded online content.

Since acquiring title to the SS United States a decade ago, the SS United States Conservancy has raised resources to keep the ship safely afloat and advance prospects for her redevelopment as a stationary mixed-use destination. The group has also built a world-class curatorial collection, which will serve as the foundation for an exciting museum and center for innovation on board the redeveloped vessel. Today, the Conservancy has grown a global community of supporters from every state and more than 40 countries to help protect the fastest ocean liner in history and the largest built in the United States.

Those wishing to support the Conservancy’s curatorial work or help save the ship can learn more at www.SSUSC.org.

ABOUT THE SS UNITED STATES CONSERVANCY A national nonprofit organization, the SS United States Conservancy leads the global effort to save and repurpose America’s Flagship, the SS United States. The Conservancy raises public awareness and financial resources for the maintenance, restoration and ultimate reuse of this iconic vessel and works to ensure that the fastest ocean liner ever to cross the Atlantic remains an inspiration for generations to come. For more information about the SS United States Conservancy and America's Flagship, visit www.ssusc.org or the Conservancy's Facebook page.

Friday, March 19, 2021

Stone Tablet Marking First Amendment Freedoms Finds New Home In Philadelphia At The National Constitution Center

PHILADELPHIA (AP) — A four-story, 50-ton marble tablet engraved with the text of the First Amendment, previously displayed on the facade of the now-shuttered Newseum in Washington, will find a new home in Philadelphia across from Independence Hall.

The National Constitution Center, which sits in an area of the city billed as America’s most historic square mile, will erect the tablet in an atrium overlooking Independence Hall, the UNESCO World Heritage Site where both the Declaration of Independence and the U.S. Constitution were adopted.

The district is also home to the Liberty Bell and the First Bank of the United States.

The tablet is engraved with the First Amendment, which protects freedom of speech, press, religion, assembly and the right to petition the government. It’s a gift from the Freedom Forum, the creator of the Newseum, a museum dedicated to the First Amendment. It was sold to Johns Hopkins University and closed in 2019.

“It’s so meaningful to bring the text of the First Amendment to Philadelphia,” National Constitution Center President Jeffrey Rosen said in a statement. He said it would “inspire visitors for generations to come.”

A dedication ceremony is planned for later this year.

Sunday, August 23, 2020

Sept. 11 Museum To Re-Open On 9/11 Anniversary


NEW YORK (AP) — Nearly six months after the coronavirus forced its closure, the 9/11 Memorial Museum will be reopening on the anniversary of the terrorist attacks next month, first to those who lost loved ones and then to the general public, museum officials announced Thursday.
The memorial plaza had been open to the public with social distancing restrictions since early July, but the museum remained closed, as did other cultural institutions. New York Gov. Andrew Cuomo said last week that museums would be allowed to reopen with restrictions starting later this month.
“We are extremely pleased to announce the reopening of the 9/11 Memorial Museum, a physical testament to the triumph of hope and our potential for resilience in the face of adversity and unfathomable loss,” said Alice Greenwald, the 9/11 museum’s president and CEO.
Meanwhile, the National Park Service announced Thursday that the museums on Liberty and Ellis islands will reopen Monday at 25% of their normal crowd capacity, though the Statue of Liberty’s interior and some parts of the museums will remain closed.
At the 9/11 museum, the anniversary day reopening will be reserved for families of those killed in the 2001 attack and the 1993 World Trade Center attack. The public will be able to visit starting Sept. 12.
Pandemic restrictions will be in effect, such as a limit of 25% of capacity, and a requirement to wear masks. The museum had always mandated visitors to get timed entry tickets in advance, which will continue now.
The museum said other measures had been implemented, such as Plexiglas dividers and hand-sanitizing stations, as well as temperature screenings for all, and a one-direction path through the facility.
Hours at the museum are being restricted to five days a week, from the seven days it had been opened before its shutdown in mid-March. The museum will now be closed on Tuesday and Wednesday.
Some exhibition spaces will remain closed to the public, and some services like coat check will not be available.

Thursday, July 30, 2020

National Constitution Center Announces Plans To Reopen To The Public August 5, 2020, With Free Admission Through September 5, 2020





Center announces new 19th Amendment exhibit will open on August 26, 2020, the 100th anniversary of the certification of the amendment, which granted women the right to vote.

 

Philadelphia, PA– Today, the National Constitution Center announced it will reopen to the public on August 5, 2020, with free admission for all visitors through September 5, 2020, made possible in part thanks to support from PECO. The Center has developed a multi-phased approach that prioritizes the health and safety of staff and visitors and takes into account state and city guidelines, close coordination with city officials and partners in Historic Philadelphia, and ongoing discussions with its own staff and museum peers around the country.

 

“We are thrilled to welcome back visitors to the National Constitution Center where learners of all ages can learn about the text, history, and meaning of the Constitution just steps from where it was drafted and signed,” said National Constitution Center President and CEO Jeffrey Rosen. “Since we closed the building temporarily on March 14, the enthusiasm for our online classes, town halls, and podcasts has been overwhelming, and the Constitution Center is now the fourth most visited museum website in America. While carefully complying with public health guidelines, it’s wonderful to be able to reopen our doors and welcome visitors back to the Center free of charge.”

 

The Center’s plans emphasize the safety of museum guests and staff in compliance with local and state health agencies as well as the Centers for Disease Control and Prevention. These protocols include increased sanitation, required mask wearing by staff and visitors, contactless ticketing, limited gallery capacities, one-way visitor flow, as well as modifications to encourage social distancing and use of hand sanitizer throughout the building. Visitors will be required to reserve timed tickets in advance, available online at  constitutioncenter.org/tickets. A full list of protocols and a guide for what visitors can expect can be found at constitutioncenter.org/safely-reopening.

 

The National Constitution Center will begin operations on a modified schedule. During this phase, the Center will be open Wednesday through Saturday from 10 a.m. to 3 p.m. The museum experience will include the Center’s newest exhibit, Civil War and Reconstruction: The Battle for Freedom and Equality; the multimedia theatrical production of Freedom Rising, streamed live on the Grand Hall Overlook; and the iconic Signers’ Hall.

 

The National Constitution Center’s exhibit commemorating the centennial anniversary of voting rights for women, The 19th Amendment: How Women Won the Vote, will open on August 26, the 100th anniversary of the amendment’s certification. The exhibit will trace the triumphs and struggles that led to the ratification of the 19th Amendment, and will feature some of the many women who transformed constitutional history—including Elizabeth Cady Stanton, Alice Paul, and Ida B. Wells—and will allow visitors to better understand the long fight for women’s suffrage.

 

The exhibit is part of the Center’s  Women and the Constitution initiative. Support for the exhibit and the initiative come from the Horace W. Goldsmith Foundation, Mauree Jane and Mark W. Perry, John P. & Anne Welsh McNulty Foundation, The Snider Foundation, The McLean Contributionship, Glenmede, SteegeThomson Communications, and Sarah and David Andrews.

 

The National Constitution Center will continue to offer a robust schedule of live online classes throughout the upcoming school year, as well as online America’s Town Hall programs on timely topics. Information about upcoming programs is available at constitutioncenter.org/calendar

 

 

About the National Constitution Center

The National Constitution Center in Philadelphia brings together people of all ages and perspectives, across America and around the world, to learn about, debate, and celebrate the greatest vision of human freedom in history, the U.S. Constitution. A private, nonprofit organization, the Center serves as America’s leading platform for constitutional education and debate, fulfilling its congressional charter “to disseminate information about the U.S. Constitution on a nonpartisan basis.” As the Museum of We the People, the Center brings the Constitution to life for visitors of all ages through interactive programs and exhibits. As America’s Town Hall, the Center brings the leading conservative and liberal thought leaders together to debate the Constitution on all media platforms. As a Headquarters for Civic Education, the Center delivers the best educational programs and online resources that inspire citizens and engage all Americans in learning about the U.S. Constitution. For more information, call 215-409-6700 or visit constitutioncenter.org.

Monday, July 6, 2020

157th Anniversary Of The Battle of Gettysburg – Virtual Travel Helps History Enthusiasts Journey To Gettysburg Amidst Covid-19 Pandemic


Gettysburg: A Nation Divided transports travelers to 1863

 

President Abraham Lincoln delivers the Gettysburg Address to those traveling to Gettysburg virtually for the 157th anniversary of the battle.


 
(GETTYSBURG,PA – With uncertainty about travel plans during the Covid-19 pandemic, history lovers are traveling to the battlefield virtually with Gettysburg: A Nation Divided, an AR360 app that uses mixed reality to recreate one of the most pivotal battles in American history. The app recreates the battle anywhere across the globe using 360-degree views, avatars of real people who lived through the battle, and narration by actor, Scott Eastwood.

“I was able to stand next to President Lincoln as he delivered the Gettysburg Address and joined forces at McPherson’s Ridge when the first shot in the battle was fired, all without leaving my living room,“ said history enthusiast and University of Texas student, Jed Golman.

 

When used onsite, the historically accurate app overlays the battle onto locations where events took place 157 years ago. This feat is achieved with production-quality animation, geolocation, and an interactive map. It unites a storied location with modern-day technology to emulate time travel.

 

“Honoring the Battle of Gettysburg is just as important today as it was 157 years ago,” said Michael McGar, president of QuantumERA™, the content creation company that developed Gettysburg: A Nation Divided. “It was the turning point in the Civil War and the fight that led to freedom for slaves. Gettysburg shaped who we are as a people and as a country. It’s critical that we take time to remember what those before us fought for and what they achieved.”

 

QuantumERA is a leading content creation company that creates mixed reality experiences.  They are most well-known for their award-winning Experience Real History™ brand that recreates the Battle of the Alamo through augmented reality apps and products.

 


 
Direct link to the mobile app: https://apps.apple.com/app/apple-store/id1495662839?pt=119022008&ct=MP07010518&mt=8

Friday, August 16, 2019

19th Amendment, Guaranteeing The Right For Women To Vote, Exhibit To Open At National Constitution Center For 2020 Centennial Anniversary


           



In summer 2020, the Center will open a new exhibit on the development of the women’s rights movement and the ratification of a voting rights amendment in 1920

Philadelphia, PA  – On August 18, America celebrates the 99th anniversary of the ratification of the 19th Amendment to the U.S. Constitution, which guaranteed the right of women to vote. In advance of this anniversary, the National Constitution Center announced it will open a new 19th Amendment exhibit in the summer of 2020 in celebration of the centennial.

“The ratification of the 19th Amendment extended the Constitution’s promise of equal citizenship to women, underscoring the core values of the Declaration of Independence and the Constitution,” said National Constitution Center President and CEO Jeffrey Rosen. “On the occasion of the 100th anniversary of the 19th Amendment, the National Constitution Center is thrilled to open a new exhibit to inspire and educate visitors of all ages about the visionary leaders who worked to secure this landmark amendment and about the constitutional path to voting rights for women.”

Tracing the triumphs and struggles that led to the ratification of the 19th Amendment, the new exhibit will explore the long fight for women’s suffrage, beginning before the Civil War. It will highlight the constitutional arguments and historical context of the movement, as well as spotlight the key advocates for women’s rights and the methods they used to persuade the states and then the nation to recognize equal citizenship for women. Beginning in the early- to mid-1800s, the exhibit will capture the early efforts to secure rights for women and follow the story into the Reconstruction era when the movement grew—and split over women’s rights versus rights for newly freed African Americans. The story will continue with state-level campaigns for suffrage and the push for a national amendment, and will culminate with the ratification of the 19th Amendment, its impact, and the ongoing push for equal rights that followed ratification in 1920.

The 19th Amendment exhibit will build upon the National Constitution Center’s newest permanent exhibit, Civil War and Reconstruction: The Battle for Freedom and Equality, which is America’s first exhibit devoted to the constitutional legacy of the Civil War and Reconstruction. The new exhibit, located adjacent to the Civil War and Reconstruction gallery, will explore how the women’s rights movement grew alongside the anti-slavery movement and ultimately gained momentum during Reconstruction as part of the ongoing battle for freedom and equality for all.

The exhibit will be open for the centennial year and beyond. The National Constitution Center is a proud partner of Vision2020’s Women 100, a celebration of American women in the year 2020, in honor of the 100th anniversary of the 19th Amendment.



About the National Constitution Center
The National Constitution Center in Philadelphia brings together people of all ages and perspectives, across America and around the world, to learn about, debate, and celebrate the greatest vision of human freedom in history, the U.S. Constitution. A private, nonprofit organization, the Center serves as America’s leading platform for constitutional education and debate, fulfilling our congressional charter “to disseminate information about the U.S. Constitution on a nonpartisan basis.” As theMuseum of We the People, the Center brings the Constitution to life for visitors of all ages through interactive programs and exhibits. As America’s Town Hall, the Center brings the leading conservative and liberal thought leaders together to debate the Constitution on all media platforms. As a Headquarters for Civic Education, the Center delivers the best educational programs and online resources that inspire citizens and engage all Americans in learning about the U.S. Constitution. For more information, call 215-409-6700 or visit constitutioncenter.org.